Mead Audio Tours This painting’s muddy palette is unusual for a watercolor, but typical for a work of the Ashcan school, an early twentieth-century American art movement which focused on gritty depictions of city life. Marsh frequently painted portraits of vivacious, voluptuous women; he also favored the dramatic outlines used throughout this scene, which reveal his roots as a cartoonist and illustrator. The painting’s complex composition, remarkable for a watercolor, required many previous sketches and a full-scale draft. Later, Marsh even executed a print of the subject. Glimpses of his graphite underdrawing are still visible here, particularly in the center of the sky and around the lines of the figures’ bodies. Sara Sligar, Class of 2010 |
