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<channel>
<title>Ten Minutes with a Masterpiece</title>
<link>http://www.amherst.edu/~mead/podcasts/tenminutes.html</link>
<language>en-us</language>
<copyright>&#x2117; &amp; &#xA9; 2008 Mead Art Museum</copyright>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Amherst College</itunes:subtitle>
<itunes:summary>
The Mead Art Museum at Amherst College presents a new series of free, lunchtime gallery talks on Tuesdays and Fridays during the spring academic term. Each "Ten Minutes with a Masterpiece" is presented by a student in the museum's volunteer docent program, and offers a fresh look at a single artwork in the collection. 
</itunes:summary>
<description>
The Mead Art Museum at Amherst College presents a new series of free, lunchtime gallery talks on Tuesdays and Fridays during the spring academic term. Each "Ten Minutes with a Masterpiece" is presented by a student in the museum's volunteer docent program, and offers a fresh look at a single artwork in the collection.
</description>
<itunes:owner>
<itunes:name>Mead Art Museum</itunes:name>
<itunes:email>meadeducation@amherst.edu</itunes:email>
</itunes:owner>
<itunes:image href="http://www.amherst.edu/~mead/podcasts/images/podcast.jpg" />
<itunes:category text="Arts">
<itunes:category text="Visual Arts" />
</itunes:category>
<itunes:explicit>no</itunes:explicit>

<item>
<title>George Wesley Bellows - Anne In Black Velvet</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>George Wesley Bellows</itunes:subtitle>
	<itunes:summary>
Anne in Black Velvet
George Wesley Bellows, American, 1882-1925
Oil on panel, 1917
Gift of George D. Pratt (Class of 1893)
AC P.1932.1
	</itunes:summary>
<enclosure url="http://www.amherst.edu/~mead/podcasts/video/anneinblackvelvet.m4v" length="42621718" type="video/x-m4v"/>
<description>
Anne in Black Velvet - George Wesley Bellows - 1917 -  Oil on panel
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/051108.html</guid>
<pubDate>Sun, 11 May 2008 19:28:00 GMT</pubDate>
<itunes:duration>03:35</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, anne, in, black, velvet, george, wesley, bellows</itunes:keywords>
</item>

<item>
<title>Peter Paul Rubens - Charity Enlightening the World</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Peter Paul Rubens</itunes:subtitle>
	<itunes:summary>
Peter Paul Rubens
Charity Enlightening the World, C 1627-28
Oil on panel

Jessica Ball '09
	</itunes:summary>
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<description>
Peter Paul Rubens - Charity Enlightening the World - C.1627-28 - Oil on panel
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/051208.html</guid>
<pubDate>Mon, 12 May 2008 21:32:00 GMT</pubDate>
<itunes:duration>05:55</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, audio, tour, spring, into, art, peter, paul, rubens, charity, enlightening, world</itunes:keywords>
</item>

<item>
<title>Winslow Homer - The Fisher Girl</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Winslow Homer</itunes:subtitle>
	<itunes:summary>
Winslow Homer
The Fisher Girl, 1894
Oil on canvas

Emily Mackey '10
</itunes:summary>
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<description>
Winslow Homer - The Fisher Girl, 1894 - Oil on canvas
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/050508.html</guid>
<pubDate>Mon, 5 May 2008 18:42:00 GMT</pubDate>
<itunes:duration>04:10</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, audio, tour, spring, into, art, winslow, homer, fisher, girl</itunes:keywords>
</item>

<item>
<title>John Singer Sargent - In a Garden, Corfu</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>John Singer Sargent</itunes:subtitle>
	<itunes:summary>
John Singer Sargent
In a Garden, Corfu, 1909
Oil on canvas

Carrie Edmundson '10
	</itunes:summary>
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<description>
In a Garden, Corfu - John Singer Sargent - 1909 - Oil on canvas
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/040708.html</guid>
<pubDate>Mon, 07 Apr 2008 16:10 GMT</pubDate>
<itunes:duration>07:18</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, audio, tour, spring, into, art, in, garden, corfu, john, singer, sargent</itunes:keywords>
</item>


<item>
<title>William-Adolphe Bouguereau - Le Travail interrompu (Penelope)</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>William-Adolphe Bouguereau</itunes:subtitle>
	<itunes:summary>
William-Adolphe Bouguereau
Le Travail interrompu (Penelope), 1891
Oil on canvas

Sara Sligar '10
	</itunes:summary>
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<description>
Le Travail interrompu (Penelope) - William-Adolphe Bouguereau - 1891 - Oil on canvas
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/040308.html</guid>
<pubDate>Thu, 03 Apr 2008 13:25:00 GMT</pubDate>
<itunes:duration>03:43</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, audio, tour, spring, into, art, le, travail, interrompu, penelope, william, adolphe, bouguereau</itunes:keywords>
</item>

<item>
<title>Hughes Taraval - The Triumph of Amphitrite</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Hughes Taraval</itunes:subtitle>
	<itunes:summary>
Hughes Taraval, French, 1729-1785
The Triumph of Amphitrite, 1780
Oil on canvas
Purchased in honor of Susan Dwight Bliss
AC 1976.2

Anjie Zheng '10
	</itunes:summary>
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<description>
The Triumph of Amphitrite - Hughes Taraval - 1780
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/033008.html</guid>
<pubDate>Sun, 30 Mar 2008 20:05:00 GMT</pubDate>
<itunes:duration>08:24</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, triumph, amphitrite, hughes, taraval</itunes:keywords>
</item>



<item>
<title>Raphael (Follower of) - The Massacre of the Innocents</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Raphael (Follower of)</itunes:subtitle>
	<itunes:summary>
Raphael (Follower of), Italian
The Massacre of the Innocents, Early 16th century
Tempera on panel
Gift of the Samuel H. Kress Foundation
AC 1961.82

Normandy Vincent '08
	</itunes:summary>
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<description>
The Massacre of the Innocents - Raphael (Follower of) - Early 16th century
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/032908.html</guid>
<pubDate>Sat, 29 Mar 2008 20:05:00 GMT</pubDate>
<itunes:duration>04:30</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, massacre, innocents, raphael</itunes:keywords>
</item>

<item>
<title>Thomas Cole - The Past and the Present</title>
<itunes:author>Mead Art Museum</itunes:author>
<itunes:subtitle>Thomas Cole</itunes:subtitle>
	<itunes:summary>
Thomas Cole, American, 1801-1848
The Past and the Present, 1838
Oil on canvas
Museum purchase
AC 1950.189
AC 1950.190

In this pair of paintings, Thomas Cole tells the story of one setting affected by the passage of time.
 
The Past depicts a courtly jousting contest on a summer day. From the colorful throng of spectators to the travelers on the distant road, the landscape teems with people. In contrast, the same scene in The Present contains only a lonely goatherd tending his flock. Now long abandoned, the castle lies in ivy-covered ruins, and water covers the fairground. Nature reclaims the land that humans overran in The Past.

The father of the Hudson River School, Cole grew up in an industrial area in England and moved to America as a teenager. According to Sarah Burns, he feared democracy and believed in the cyclical rise and fall of empires. Perhaps these two paintings are an allegorical warning that even America cannot escape this pattern.

Suzannah Luft '08
	</itunes:summary>
<enclosure url="http://www.amherst.edu/~mead/podcasts/video/thepastandthepresent.m4v" length="78906489" type="video/x-m4v"/>
<description>
The Past and The Present - Thomas Cole - 1838 - In this pair of paintings, Thomas Cole tells the story of one setting affected by the passage of time. The Past depicts a courtly jousting contest on a summer day. From the colorful throng of spectators to the travelers on the distant road, the landscape teems with people. In contrast, the same scene in The Present contains only a lonely goatherd tending his flock. Now long abandoned, the castle lies in ivy-covered ruins, and water covers the fairground. Nature reclaims the land that humans overran in The Past. The father of the Hudson River School, Cole grew up in an industrial area in England and moved to America as a teenager. According to Sarah Burns, he feared democracy and believed in the cyclical rise and fall of empires. Perhaps these two paintings are an allegorical warning that even America cannot escape this pattern.
</description>
<guid>http://www.amherst.edu/~mead/podcasts/2008/tenminutes/032808.html</guid>
<pubDate>Fri, 28 Mar 2008 18:05:00 GMT</pubDate>
<itunes:duration>10:22</itunes:duration>
<itunes:keywords>mead, art, museum, amherst, college, docents, past, present, thomas, cole</itunes:keywords>
</item>

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</rss>