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Viewing Movies and Other Audio-Visual Works

Showing a film can be important for teaching and other College activities.  In many situations, it is also allowed under copyright law, but not all uses, even those for educational or non-profit purposes, are lawful.

The law gives copyright owners several exclusive rights, including the exclusive right to give public performances (in this case showing a work in sequence and/or making its sound audible) of their copyrighted works.  The law also permits some performances of these works by others, as summarized below.  These principles are generally true, whether the work is a feature film, an educational video, streamed on the web, recorded off-air, or stored on VHS or DVD.

Use in teaching

Performing an audio-visual work in the course of teaching activities at a nonprofit educational institution is permitted. A performance is most likely to fit within the exception if:

Other Use

Library-owned films rarely include public performance rights. Only performances which are not "public" are exempt from the requirement of a license from the copyright holder.

A performance can be “public” if it is at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances are gathered. Therefore:

Alternatives

Get permission.
The copyright owner is typically the creator of the work. For example, most movie studios hold the copyright to their works.

Use a film for which permission is not required.
Although the rules for determining the duration of protection can be complicated and may depend on facts that are simply undiscoverable without many hours of research, one bright line rule does exist: any work published in the U.S. before 1923 is in the public domain.

Many copyright owners offer their works to the public with few or no restrictions. To use these works, make sure that the owner has given explicit permission to the public and heed any restrictions that may prohibit your planned use.

Sources of information about films that are in the public domain or have been offered to the public and how to obtain them include:

Use a work created by the U.S. government.
Works created by the federal government are not protected by copyright. However, works commissioned by the federal government and state government works may have copyright protection.  Sources of U.S. government works in the public domain include:

 

Common Questions

May I purchase or rent a film from the local video store and use it in my class?
Although tapes from a video store are labeled "Home Use Only," use of such tapes is considered "fair use" in a face-to-face teaching situation. Tapes marked "Home Use Only" may also be placed on reserve and viewed in the Library if they are used strictly for instructional purposes and not entertainment.

Is it permissible to make a copy of a rental video in order to use it again, later?
No. That would infringe on the rights licensed to the rental agency.

Can an auditorium or other large space be used to show a video labeled "Home Use Only" to a class?
Yes, so long as the performance is not open to the public and is for an instructional purpose within the structure of the course.

May a club or other group show a video obtained from a local video store?
Only if the rental fee explicitly included public performance rights.

What if a student rents a video from a video store and views it with a few friends in her dormitory living room?
Experts disagree, but since access to dormitories is limited to acquaintances of students, this seems to be comparable to "home use."

Am I permitted to circumvent technology that controls access to copyrighted works in order to make compilations of clips from films for my class?
On November 27, 2006, the Librarian of Congress issued a rule that audiovisual works included in the educational library of a college’s film or media studies department, when circumvention is accomplished for the purpose of making compilations of portions of those works for educational use in the classroom by media studies or film professors, would not be subject to the prohibition against circumventing access controls during the next three years.

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