Secondary Source project bibliography

Submitted by (inactive) on Tuesday, 5/1/2012, at 4:17 PM

Gosson, Renee K. "For What the Land Tells: An ecocritical Approach to Patrick Chamoiseau's Chronicle of the Seven Sorrows." John Hopkins University Press. 26. no. 1 (2003): 219-234. 



Secondary source project bibliography

Submitted by John E. Drabinski on Tuesday, 5/1/2012, at 7:10 AM

List of sources below. Please use the following format, which is Chicago Manual of Style for citation, followed by the summarizer's name in parentheses:

John E. Drabinski, "Shorelines," Journal of French and Francophone Philosophy 19, no. 1 (2011): 1-10. (Rhonda Cobham-Sander)



Sarah L. Lincoln, "Conquering City: The Poetics of Possibility in Texaco," Small Axe 36 (2011): 1-21 (Mica Muir)

Natalie Melas, "Humanity/Humanities: Decolonization and the Poetics of Relation," Topoi (1999): 13-28 (Tahina Vatel)

Valérie Loichot, "Between Breadfruit and Masala: Food Politics in Glissant's Martinique", Callaloo 30, no. 1 (2007): 124-137. (Maya Chakravarti)

Janice Morgan, "Re-imagining Diversity and Connection in the Chaos World: An Interview with Patrick Chamoiseau," Callalo 31, no. 2 (2008): 443-53. (Al Futty)

Nicole Roberts, "Haitian and Dominican E/migration and the (Re)construction of National Identity in the Poetry of the Third Generation," Small Axe 18, vol. 9, no. 2 (2005): 86-103. (Jasmine Hardy)

Leah Rosenberg, "The Audacity of Faith: Creole Recitations Explained," Small Axe 15, no. 2 35 (2011): 164-173. (Diane Exavier)

Anjali Prabhu, "Interrogating Hybridity: Subaltern Agency and Totality in Postcolonial Theory," Diacritics 35, no. 2 (Summer 2005): 76-92. (Dylan Vasey)

Rowan Ricardo Phillips, "Derek Walcott: Imagination, Nation and the Poetics of Memory", Small Axe, no. 11 (Vol. 6, no. 1), March 2002: 112-132 (Inès Coville)

Wendy Knepper, “Colonization, Creolization, and Globalization: The Art and Ruses of Bricolage,” Small Axe 21, vol. 10, no. 3 (2006): 70-86. (Ashley Miranda)

Michel DeGraff, "Against Creole exceptionalism*," Language 79, no. 2 (2003): 391-410. (Criss Guy)

Doris Lorraine Garraway, "Toward a Creole Myth of Origin: Narrative, Foundations and Eschatology in Patrick Chamoiseau's L'esclvave Vieil Homme et le Molosse,Callaloo 29, no. 2 (2006): 151-167. (Dillon Buckley)

Lewis Carl Seifert, "Orality, History, and "Creoleness" in Patrick Chamoiseau's Creole Folktales," Marvels and Tales 16, no. 2 (2002): 214-230. (Brooks Turner)

Bonnie Thomas, "Edouard Glissant and the Art of Memory." Small Axe 13, no. 3 (2009): 25-36. (Joelle Comrie)

Richard Watts, "'Wounds of Locality': Living and Writing the Local in Patrick Chamoiseau’s Ecrire en pays dominé," French Forum 28, no 1, (Winter 2003): 111-129 (Ellen Richmond) 

John E. Drabinski, “What is Trauma to the Future? On Glissants Poetics”, Qui Parle 18, no. 2 (2010): 291-307. (John Cho)

Jarrod Hayes, "Defining Creole Identity," review of Creole Identity in the French Caribbean Novel, by H. Adlai Murdoch, and Mother Imagery in the Novels of Afro-Caribbean Women, by Simone A. James Alexander, Modern Fiction Studies 48, no. 3, (Fall 2002): 737-745. (Jeremy Koo)

Kelly Baker Josephs, "Dreams, Delirium, and Decolonization in Derek Walcott's Dream on Monkey Mountain," Small Axe: A Caribbean Journal of Criticism, (July 2010):1-16 (David Desrosiers)  

Laurence A. Breiner, "Creole Language in the Poetry of Derek Walcott," Callaloo 28, no. 1, (Winter 2005): pp. 29-41. (Denzel Duncan)