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Joshua M. Guilford (Section 01)
(Offered as ENGL 383 and FAMS 360) What’s intimate about cinema? Since its invention, cinema has spurred pronouncements on the emotional, affective, and even spiritual impact of the filmic image, as well as deeper examinations of the specific devices through which films produce intimate experience (the close-up, the kiss, etc.). For classical film theorists, such devices were often invested with redemptive potential, though more recent cultural theorists have issued strong rejoinders to such claims. Isn’t intimacy crucial to the workings of modern power? Doesn’t cinema structure intimate relations in accordance with normative ideologies? Examining such issues, this course considers how matters of intimacy have organized critical discourse on a range of intimate film cultures, from surrealism to the melodrama, underground film, queer independent cinema, and contemporary diasporic cinema. Examining film theory alongside diverse contributions to the emerging field of intimacy studies, we will ask how recent inquiries into the politics of intimacy force us to rethink the problems and potential of cinema.
Requisite: One 200-level FAMS or ENGL course, or consent of the instructor. Not open to first-year students. Limited to 25 students. Spring semester. Professor Guilford.
If Overenrolled: Preference given to FAMS majors.