Spring 2020

Hip Hop Production

Listed in: Music, as MUSI-385

Faculty

Amy M. Coddington (Section 01)

Description

How is hip hop made, and why does it sound the way it does? In this course, we will examine the history of hip hop production by creating hip hop, analyzing how technological inventions and changing aesthetic practices have contributed to the sound and style of hip hop’s beats. Through close listening, together with reading first-person accounts, critical reviews, musical instrument manuals, ethnographies, and musical analyses, students in this course will develop a historical understanding of the aesthetics and musical contributions of important hip hop producers and how these producers have embraced new technologies and instruments. Informed by this historical background, students will compose hip hop beats using a variety of instruments and software and using celebrated tracks by producers such as Rick Rubin, the Bomb Squad, the Dust Brothers, Organized Noize, J Dilla, and Metro Boomin as models for their compositions.

Requisite: MUSI 126/BLST 134 or the equivalent, or consent of the instructor. Limited to 15 students. Spring Semester. Professor Coddington.

If Overenrolled: Instructor Consent

Keywords

Artistic Practice, Attention to Issues of Race, Fine Arts for Non-majors

Offerings

2019-20: Offered in Spring 2020