Erica Drennan (Section 01)
(Offered as RUSS 225 and ENGL 315) This course looks at the fiction and career of Vladimir Nabokov, a trilingual fiction writer of genius and a sophisticated self-promoter. As a liberal aristocrat living in exile in Berlin and Paris during the 1920s and 1930s, the young Nabokov was hailed as the hope of an entire generation of émigrés – artists and writers forced out of their homeland following the Russian Revolution. We first examine this European career in its publishing and media contexts, including his writing for translation into German, French, and English and for adaptation into screenplays for silent and early sound cinema. We then track to his move to America and discover how a transnational career is crafted. Modernist fiction of this period was shadowed and overshadowed by a burgeoning film industry: we will watch a number of great movies from the silent and early sound era, including some of the masterpieces of Weimar cinema by the directors who would go on to create film noir in Hollywood. We will focus on a range of Nabokov’s darkly comic novels: The Luzhin Defense, Laughter in the Dark, Invitation to a Beheading, Lolita, Pnin, and Pale Fire. During the course we will learn through Nabokov’s fiction to appreciate the subtleties of irony, voice, and parody; to think more deeply about the relation between history and culture (how do events engender works of art?); and to study the interaction between literature and visual culture. All readings in English.
Fall semester. Professor Parker.
How to handle overenrollment: null
Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: TBA
M 12:30 PM - 1:50 PM SCCE D103
W 12:30 PM - 1:50 PM SCCE D103