Michael M. Kunichika (Section 01)
(Offered as RUSS 321, ARHA 321 and ARCH 320) Taking case studies from Russian, Soviet, and Post-Soviet history, this course examines monuments and memorials in literature, cinema and the arts. Focusing on specific episodes and case studies, we will consider the form and cultural politics of monuments and memorials, and especially how these objects become arenas in which conceptions of art, history, and politics are contested. We will be interested as much in monuments that were built as those that were destroyed—or dismembered, defaced, dismantled, or relocated—and those that were envisioned but never realized. Case studies will include monuments to Peter the Great, the Soviet avant-garde’s attack on traditional monuments, the monumental assemblage of the Soviet Pavilion at the Paris 1937 Universal Exposition, to Leninopad (the demolishing of monuments to Lenin in Ukraine). We will also consider how these case studies may help us to better understand the dynamics at play in debates around monuments from other periods and cultures—as well as the creative responses that artists have imagined as they grappled with the question of what to do with monuments. No knowledge of the history and culture of Russia and the Soviet Union is required.
Spring semester. Professor Kunichika.
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Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: an emphasis on written work, readings, independent research, oral presentations, visual and textual analysis.
M 3:00 PM - 4:20 PM WEBS 215
W 3:00 PM - 4:20 PM WEBS 215