Listed in: Art and the History of Art, as ARHA-327
Betsey A. Garand (Section 01)
This course is an exploration of intaglio, relief, and planographic printmaking processes. Combining conceptual concerns with techniques will be integral to the development of imagery. The course will involve continuous and vigorous visual research of historical and contemporary artist printmakers and teach the techniques of drypoint, etching, engraving, aquatint, monoprints, monotypes, woodcut and linocut. Printmaking processes will include color printing, multiple plate, combinations of various printmaking techniques, series and large scale prints. All students will complete a final project of an editioned portfolio exchange of prints and a handmade portfolio. Individualized areas of investigation are encouraged and expected. In-class work will involve demonstration, discussion and critique.
Requisite: ARHA 213 or consent of the instructor. Limited to 10 students. Spring semester. Senior Resident Artist Garand.
How to handle overenrollment: Priority will be given to art majors, seniors, art majors from the 5-college consortium
Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Artistic and studio work, oral presentations, in-class critiques including visual and verbal analysis, readings and written work
Tu 9:00 AM - 11:00 AM
Th 9:00 AM - 11:00 AM