Spring 2024

Printmaking II: Further Investigations of the Hand Pulled Print

Listed in: Art and the History of Art, as ARHA-327


Betsey A. Garand (Section 01)


This course is an exploration of intaglio, relief, and planographic printmaking processes. Combining conceptual concerns with techniques will be integral to the development of imagery. The course will involve continuous and vigorous visual research of historical and contemporary artist printmakers and teach the techniques of drypoint, etching, engraving, aquatint, monoprints, monotypes, woodcut and linocut. Printmaking processes will include color printing, multiple plate, combinations of various printmaking techniques, series and large scale prints. All students will complete a final project of an editioned portfolio exchange of prints and a handmade portfolio. Individualized areas of investigation are encouraged and expected. In-class work will involve demonstration, discussion and critique.

Requisite: ARHA 213 or consent of the instructor. Limited to 10 students. Spring semester. Senior Resident Artist Garand.

How to handle overenrollment: Priority will be given to art majors, seniors, art majors from the 5-college consortium

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Artistic and studio work, oral presentations, in-class critiques including visual and verbal analysis, readings and written work

ARHA 327 - LEC

Section 01
Tu 9:00 AM - 11:00 AM FAYE 205
Th 9:00 AM - 11:00 AM FAYE 205


Other years: Offered in Spring 2012, Spring 2013, Fall 2013, Fall 2014, Spring 2015, Fall 2015, Spring 2017, Spring 2018, Spring 2019, Spring 2023