Listed in: Law, Jurisprudence, and Social Thought, as LJST-352
[Analytic Seminar] The proliferation of law in film, on television, and online has expanded the sphere of legal life itself. Law lives in images which today saturate our culture and which have a power all their own, and the moving image provides a domain in which legal power operates independently of law’s formal institutions. This course takes up law and film to explore law’s image and the imagined life of law. It will consider the ways “myths” about law are reproduced and contested in film and other visual media, and the way film proposes a visual aesthetics of law. We will ask what happens when legal events are re-narrated in film and examine the treatment of legal officials, events, and institutions (e.g. police, lawyers, judges, trials, executions, prisons), discussing how that treatment positions them in relation to processes of judgment, interpretation, and violence. Attending to the visual dimensions and dynamics of law’s imagined lives as well as to the viewer’s relation to law on film we will also explore the ways in which law provides a template for film spectatorship, positioning viewers as detectives and as jurors. Does film open up new possibilities of judgment, model new modes of interpretation, and provide new insights into law’s violence?
Limited to 15 students. Spring Semester. Professors Umphrey and Sarat.
How to handle overenrollment: priority will be given to LJST and FAMS majors
Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Emphasis on close reading of a wide variety of texts (including visual analysis), written work, and class participation.
W 02:00 PM - 04:45 PM