English

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Semester: Department:

Courses in English, Fall 2012

ENGL-111 Having Arguments
Michele Barale (Section 01)
Benson Lieber (Section 02)
ENGL-115 Novels, Plays, Poems
David R. Sofield (Section 01)
ENGL-119 Modernism 101 or, The Shock of the New
Patrick Pritchett (Section 01)
ENGL-120 Reading, Writing, and Teaching
C. Rhonda Cobham-Sander (Section 01)
ENGL-152 Writers in Conversation
Wendy H. Bergoffen (Section 01)
ENGL-156 American Wilderness
Robert T. Hayashi (Section 01)
ENGL-160 Foundations of African American Literature
Marisa Parham (Section 01)
ENGL-180 Film and Writing
Andrew R. Johnston (Section 01)
ENGL-221 Writing Poetry I
Daniel J. Hall (Section 01)
ENGL-226 Fiction Writing I
Lawrence R. Douglas (Section 01)
ENGL-232 Reading Drama
Christopher A. Grobe (Section 01)
ENGL-240 Reading Poetry
Ingrid L. Nelson (Section 01)
ENGL-251 Reading Story Sequences
Dale E. Peterson (Section 01)
ENGL-280 Coming to Terms: Cinema
John Cameron (Section 01)
ENGL-304 Narratives of Suffering
Geoffrey D. Sanborn (Section 01)
ENGL-317 Caribbean Poetry: The Anglophone Tradition
C. Rhonda Cobham-Sander (Section 01)
ENGL-324 Writing Poetry II
Daniel J. Hall (Section 01)
ENGL-329 The Poetics of Performance
Christopher A. Grobe (Section 01)
ENGL-336 Renaissance Drama: The Places of Performance
Anston L. Bosman (Section 01)
ENGL-338 Shakespeare
Peter Berek (Section 01)
ENGL-358 Readings in English and American Fiction, 1950-2010
William H. Pritchard (Section 01)
ENGL-442 Poets: Emily Dickinson to Seamus Heaney
David R. Sofield (Section 01)
Richard P. Wilbur (Section 01)
ENGL-444 Emily Dickinson
Karen J. Sanchez-Eppler (Section 01)
ENGL-452 Hawthorne, Melville, and Literary Friendship
Geoffrey D. Sanborn (Section 01)
ENGL-458 Indigenous American Epics
Lisa T. Brooks (Section 01)
ENGL-472 Reading and Experience
Marisa Parham (Section 01)
ENGL-483 Feminism and Film: A Study of Practice and Theory
Amelie E. Hastie (Section 01)
ENGL-485 Word / Life / Image
Anston L. Bosman (Section 01)
Andrew R. Johnston (Section 01)

Related Courses

 

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