European Studies

2014-15

117 Arthurian Literature

Other years: Offered in Fall 2014, Fall 2015, Fall 2016, Fall 2020, Spring 2022

121 Readings in the European Tradition I

Topics in the past have included readings and discussion of a series of related texts from Homer and Genesis to Dante: Homer’s Iliad, selected Greek tragedies, Virgil’s Aeneid, selections from the Bible, and from medieval texts. Three class hours per week.

Required of European Studies majors.  Open to European Studies majors and to any student interested in the intellectual and literary development of the West, from antiquity through the Middle Ages.  Fall semester. Professor Doran.

Other years: Offered in Fall 2011, Fall 2012, Fall 2013, Fall 2014, Fall 2015, Fall 2016, Fall 2017, Fall 2018, Fall 2023, Fall 2024

122 Readings in the European Tradition II

In this course, we will discuss writings and art that have contributed in important ways to the sense of what “European” means. The course covers the intellectual and artistic development of Europe from the Renaissance to the 21st century. The course will use a chronological and/or thematic template that focuses on dominant and persistent preoccupations of the European imagination. We will study poetry, drama, the novel, the essay, painting, photography, and film. In the past, we have studied works by Cervantes, Shakespeare, Montaigne, Molière, Mann, Swift, Voltaire, Wordsworth, Austen, Marx, Flaubert and Tolstoy. We have looked at art ranging from Velásquez to Picasso, filmmakers from Chaplin to Godard. This course welcomes all students who enjoy studying literature and essays in depth, as well as those interested in the visual arts.  Required of European Studies majors.

Spring semester. Professor Rosbottom.

Other years: Offered in Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2025

130 World War I

2023-24: Not offered
Other years: Offered in Spring 2015, Spring 2017, Fall 2022

133 Europe in the Twentieth Century

2023-24: Not offered
Other years: Offered in Fall 2008, Fall 2009, Spring 2012, Fall 2015

135 Art and Architecture of Europe from 1400 to 1800

Other years: Offered in Spring 2012, Spring 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017, Fall 2018, Spring 2023

146 Art From the Realm of Dreams

2023-24: Not offered
Other years: Offered in Spring 2012, Spring 2013, Spring 2014, Spring 2023

201 Napoleon's Legends

Napoleon Bonaparte’s legacy in French domestic and international politics and military strategy profoundly influenced nineteenth-century Europe. But so did the legends surrounding him, created before his great defeat and exile, and nurtured after his death in 1821. In painting, caricature, and sculpture, literature, music, and film, the legends--positive and negative--of Napoleon have served many ends. The cultural complexity of nineteenth- and twentieth-century Europe becomes clearer when one understands the motives behind and results of these representations of Napoleon.

In this course, we will study painting (e.g., David and Goya), narrative fiction (e.g., Balzac, Stendhal, and Tolstoy), poetry (e.g., Wordsworth and Hugo), music (e.g., Beethoven), urban history and architecture (e.g., of Paris), and the silent and sound films of our century (e.g., Gance). We will examine how different generations and a variety of cultures appropriated the real and imagined images of Napoleon for social, political, and artistic ends, and thereby influenced the creation of modern Europe. Three class hours per week.

Limited to 25 Students. Spring semester. Professor Rosbottom.

2023-24: Not offered
Other years: Offered in Spring 2009, Fall 2012, Spring 2015

203 Cityscapes: Imagining the European City

(Offered as EUST 203 and ARCH 203.)  Cities, the largest human artifact, have been at the center of Europeans’ relationships with nature, gods, and their own kind since their first appearance. With the advent of capitalist energy, the European city went through radical change. The resultant invention, re-invention and growth of major metropolises will be the subject of this course.

We will discuss histories and theories of the city and of the urban imagination in Europe since the eighteenth century. We will consider Paris, London, Berlin, Rome, and St. Petersburg, among others, and the counter-example of New York City. We will study examples of city planning and mapping, urban architecture, film and photography, painting, poetry, fiction, and urban theory. And, we may study Atget, Baudelaire, Benjamin, Calvino, Dickens, Joyce, Rilke, Truffaut, Zola, and others.

Questions addressed will include: To what extent do those who would “improve” a city take into account the intangible qualities of that city? How do the economics of capital compromise with the economics of living? How does the body-healthy and unhealthy-interact with the built environment? How and why does the imagination create an “invisible city” that rivals the “real” geo-political site? Two classes per week.

Limited to 25 students.  Fall semester.  Professor Rosbottom.

2023-24: Not offered
Other years: Offered in Fall 2008, Spring 2010, Fall 2013, Fall 2014, Fall 2015, Fall 2017

209 Fascism

2023-24: Not offered

215 Modernism and Revolution

2023-24: Not offered
Other years: Offered in Fall 2014, Spring 2020

221 Music and Culture I

2023-24: Not offered
Other years: Offered in Spring 2013, Fall 2014, Spring 2017, Fall 2018, Spring 2021, Fall 2022, Fall 2024

222 Music and Culture II

2023-24: Not offered
Other years: Offered in Spring 2012, Fall 2012, Spring 2014, Spring 2015, Spring 2016, Fall 2016, Spring 2019, Spring 2020, Spring 2023

223 Music and Culture III

Other years: Offered in Fall 2011, Fall 2013, Fall 2015, Spring 2018, Fall 2019, Fall 2023

225 The Age of Chivalry, 1000-1500

2023-24: Not offered
Other years: Offered in Fall 2014, Spring 2016, Fall 2016, Fall 2017

227 Early Modern England, 1558-1702: Renaissance, Reformation, and Revolution

2023-24: Not offered
Other years: Offered in Fall 2019, Fall 2021

228 Seventeenth-Century European Theater

2023-24: Not offered
Other years: Offered in Spring 2017

230 The French Revolution

Other years: Offered in Spring 2012, Fall 2014, Spring 2018

231 Race and Empire: The British Experience from 1760

2023-24: Not offered
Other years: Offered in Spring 2012, Spring 2016, Spring 2021

234 Nazi Germany

2023-24: Not offered
Other years: Offered in Spring 2009, Fall 2010, Fall 2012, Fall 2013, Fall 2015, Fall 2016, Fall 2017, Fall 2021

235 Impostors

(Offered as EUST 235 and SPAN 380.) An interdisciplinary exploration of the causes behind the social, racial, artistic, and political act—and art—of posing, passing, or pretending to be someone else. Blacks passing for whites, Jews passing for gentiles, and women passing for men, and vice versa, are a central motif. Attention is given to biological and scientific patterns such as memory loss, mental illness, and plastic surgery, and to literary strategies like irony. As a supernatural occurrence, the discussion includes mystical experiences, ghost stories, and séance sessions. The course also covers instances pertaining to institutional religion, from prophesy from the Hebrew and Christian Bibles to the Koran and Mormonism. In technology and communications, analysis concentrates on the invention of the telegraph, the telephone, and the Internet. Entertainment, ventriloquism, puppet shows, voice-overs, children’s cartoon shows, subtitles, and dubbing in movies and TV are topics of analysis. Posers in Greek mythology, the Arabian Nights, Cervantes, Shakespeare, Lewis Carroll, Mark Twain, Sigmund Freud, Jorge Luis Borges, Philip Roth, Oliver Sacks, and Nella Larsen are examined. Conducted in English.

Limited to 20 students. Fall semester. Professor Stavans.

2023-24: Not offered
Other years: Offered in Spring 2012, Fall 2014, Spring 2018, Fall 2021, Spring 2025

237 God

This course rotates around the shifting notion of the divine in Western Civilization, focusing on theology, philosophy, literature, and music. Students explore the development of the three major prophetic religions as well as some of the mystical movements they fostered. Discussions rotate around the King James Bible, Augustine’s Confessions, the Koran, Maimonides’ The Guide for the Perplexed, the Zohar, and Spinoza’s work as a cornerstone to the Enlightenment. Secularism in modern culture is contemplated and the contemporary atheist movement of Dawkins and Hitchens is analyzed. Music explorations range from Johann Sebastian Bach to John Cage; in science, from Isaac Newton to Albert Einstein and Stephen Hawking; and in film, from Ingmar Bergman to Woody Allen. Readings include parts of Dostoevsky’s The Brothers Karamazov, Freud’s Moses and Monotheism, Kafka’s The Castle, Pirandello’s Six Characters in Search of an Author, Borges’ “The Secret Miracle” and Beckett’s Waiting for Godot.

Limited to 20 students. Omitted 2014-15. Professor Stavans.

2023-24: Not offered
Other years: Offered in Fall 2008, Spring 2013, Spring 2021

238 Soviet Union During the Cold War

2023-24: Not offered
Other years: Offered in Fall 2012, Fall 2015, Fall 2018, Spring 2023, Spring 2025

242 European Intellectual History in the Twentieth Century

2023-24: Not offered
Other years: Offered in Fall 2013, Spring 2015

243 Childhood and Child Welfare in Modern Europe

2023-24: Not offered
Other years: Offered in Fall 2014

244 Images of liberation: Spanish Transition to Democracy

2023-24: Not offered
Other years: Offered in Spring 2015

245 Stalin and Stalinism

Other years: Offered in Spring 2014, Fall 2016, Spring 2021, Fall 2022, Fall 2023

250 The Monastic Challenge

2023-24: Not offered
Other years: Offered in Fall 2010, Fall 2011

253 Dutch and Flemish Painting (The Art of Beholding)

2023-24: Not offered
Other years: Offered in Fall 2012, Fall 2013, Fall 2014

265 Forbidden

(Offered as EUST 265 and SPAN 382.) An exploration of forbidden behavior in diverse cultures from ancient times to the present. The course delves into the moral dilemma of the accepted and the rejected by analyzing concentric circles of power. Interdisciplinary in nature, the material will come from theology to government, from jurisprudence to medicine, from pedagogy to finances, from pornography to literature, from activism to computer hacking. It includes the Inquisitorial trails in fourteenth-century Spain, the orchestration of anti-Semitic propaganda under Nazism, the gulag in the Soviet Union, the public crimes during the Chinese Cultural Revolution, McCarthyism and the N.S.A. Contemporary books and movies discussed include Lawrence’s Women in Love, Bradbury’s Fahrenheit 451, and the Harry Potter saga, as well as Last Tango in Paris and Deep Throat. Conducted in English.

Spring semester. Professor Stavans.

2023-24: Not offered
Other years: Offered in Spring 2015

271 Modern Architecture, Design, and the Built Environment

2023-24: Not offered
Other years: Offered in Spring 2012, Spring 2013

284 Women and Art in Early Modern Europe

2023-24: Not offered
Other years: Offered in Spring 2008, Spring 2012, Fall 2014, Spring 2017, Spring 2021

294 Black Europe

2023-24: Not offered
Other years: Offered in Fall 2014, Fall 2015, Spring 2018, Fall 2019, Spring 2021, Spring 2023

303 Poetic Translation

This is a workshop in translating poetry into English, preferably from a Germanic, Slavic, or Romance language (including Latin, of course), whose aim is to produce good poems in English. Students will present first and subsequent drafts to the entire class for regular analysis, which will be fed by reference to readings in translation theory and contemporary translations from European languages. Advanced knowledge of the source language is required and experience with creative writing is welcome.

Limited to 12 students. Spring semester.  Professor Maraniss.

2023-24: Not offered
Other years: Offered in Fall 2011, Fall 2012, Spring 2013, Fall 2013, Spring 2015, Fall 2016, Fall 2017, Fall 2019, Fall 2021, Spring 2023

311 Birth of the Avant-Garde: Modern Poetry and Culture in France and Russia, 1870-1930

(Offered as EUST 311, FREN 364, and RUSS 311.) Between the mid-nineteenth century and the mid-twentieth century, poetry was revolutionized both in France and in Russia; nowhere else did the avant-garde proliferate more extravagantly. This class will focus on the key period in the emergence of literary modernity that began with Symbolism and culminated with Surrealism and Constructivism.

With the advent of modernism, the poem became a “global phenomenon” that circulated among different languages and different cultures, part of a process of cross-fertilization. An increasingly hybrid genre, avant-garde poetry went beyond its own boundaries by drawing into itself prose writing, philosophy, music, and the visual and performing arts. The relation between the artistic and the literary avant-garde will be an essential concern.

We will be reading Baudelaire, Rimbaud and the French Symbolists; the Russian Symbolists (Blok, Bely); Nietzsche; Apollinaire, Dada, and the Surrealists (Breton, Eluard, Desnos); and the Russian avant-garde poets (Mayakovsky, Khlebnikov, Tsvetaeva).

Our study of the arts will include Symbolism (Moreau, Redon); Fauvism (Matisse, Derain, Vlaminck); Cubism, Dada, and early Surrealism (Duchamp, Ernst, Dali, Artaud); the “World of Art” movement (Bakst, the Ballets Russes); Primitivism (Goncharova, Larionov); Suprematism (Malevich); and Constructivism (Tatlin, Rodchenko, El Lissitzky). The course will be taught in English. Students who read fluently in French and/or Russian will be encouraged to read the material in the original language.

Omitted 2014-15.  Professors Ciepiela and L. Katsaros.

2023-24: Not offered
Other years: Offered in Fall 2007, Spring 2010, Spring 2014

313 Serving the Tsars and the Party

2023-24: Not offered
Other years: Offered in Fall 2012

332 Gender, Class, and Crime: the Victorian Underworld

2023-24: Not offered
Other years: Offered in Fall 2011, Spring 2015, Spring 2019

335 European Migrations

2023-24: Not offered
Other years: Offered in Fall 2012, Fall 2016

339 Defining the Modern: Russia Between Tsars and Communists

2023-24: Not offered
Other years: Offered in Spring 2013, Spring 2016

342 Kafka, Brecht, and Thomas Mann

2023-24: Not offered
Other years: Offered in Spring 2009, Spring 2012, Spring 2015

352 Proseminar: Images of Sickness and Healing

2023-24: Not offered
Other years: Offered in Fall 2012

356 Baroque Art in Italy, France, Spain, and the Spanish Netherlands

2023-24: Not offered
Other years: Offered in Fall 2013, Fall 2016, Spring 2022

360 Performance

2023-24: Not offered
Other years: Offered in Spring 2014, Fall 2017, Fall 2020, Spring 2023

363 Traumatic Events

2023-24: Not offered
Other years: Offered in Fall 2008, Fall 2010, Fall 2014, Fall 2018

364 Architectures of Disappearance

2023-24: Not offered
Other years: Offered in Fall 2013, Spring 2016, Spring 2019, Fall 2022, Spring 2025

365 Making Memorials

Other years: Offered in Fall 2012, Fall 2016, Fall 2021

368 SPACE

2023-24: Not offered
Other years: Offered in Fall 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2018, Spring 2022, Fall 2024

371 Music and Revolution: The Symphonies of Mahler and Shostakovich

2023-24: Not offered
Other years: Offered in Fall 2007, Fall 2010, Spring 2014

372 Culture and Politics in 20th-Century Europe

2023-24: Not offered
Other years: Offered in Spring 2008, Spring 2010, Spring 2011, Fall 2012, Fall 2013, Fall 2014

373 Topics in European History: The Politics of Memory in Twentieth-Century Europe

2023-24: Not offered
Other years: Offered in Spring 2010, Spring 2012, Spring 2014

374 Medieval and Renaissance Lyric

Other years: Offered in Spring 2012, Fall 2014, Fall 2016, Spring 2020, Spring 2022

385 Witches, Vampires and Other Monsters

Other years: Offered in Fall 2012, Fall 2013, Fall 2014, Fall 2016, Fall 2017, Fall 2018, Fall 2020, Fall 2021, Fall 2022, Fall 2023

390, 490 Special Topics

Fall and spring semesters.

2023-24: Not offered
Other years: Offered in Fall 2011, Spring 2012, Fall 2012, Spring 2013, Fall 2013, Spring 2014, Fall 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021, Fall 2021, Spring 2022, Fall 2022, Spring 2023, Fall 2024

498, 498D, 499, 499D Senior Departmental Honors

A double course.

Spring semester.

Other years: Offered in Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025

Panoramic Introductions

232 Representation and Reality in Spanish Cinema

2023-24: Not offered
Other years: Offered in Spring 2013, Spring 2021, Fall 2022

249 Buñuel, Saura, Almodóvar: Spanish Auteurs

2023-24: Not offered
Other years: Offered in Spring 2015

Nation-Specific Studies

340 Violence, Art, and Memory of the Spanish Civil War

2023-24: Not offered
Other years: Offered in Spring 2014, Fall 2016, Spring 2021

Course Specialized by Auther & Text

264 Don Quixote [RC]

2023-24: Not offered
Other years: Offered in Spring 2014, Spring 2017, Fall 2022

Thematic Analysis

233 Love

2023-24: Not offered
Other years: Offered in Spring 2014, Spring 2017, Spring 2022, Fall 2024

270 Hispanic Humor [RC]

2023-24: Not offered
Other years: Offered in Fall 2013

312 Spanish Detectives and the género negro

2023-24: Not offered
Other years: Offered in Fall 2008, Fall 2012

Twentieth- and Twenty-First Century Literature and Culture

354 War and Memory

2023-24: Not offered
Other years: Offered in Spring 2010, Fall 2014

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