110 Film and Writing
(See
ENGL 180)
210 Coming to Terms: Cinema
(See
ENGL 280)
212 Introduction to Film Studies: The History of American Cinema, 1895-1960
(See
ENGL 287)
215 Knowing Television
(See
ENGL 282)
216 Coming to Terms: Media
(See
ENGL 284)
218 Introduction to Film Theory
(See
ENGL 288)
221 Foundations in Video Production
(See
ARHA 221)
227 Moving Pictures: The History of Silent Cinema
(See
ENGL 289)
233 2020: Art Can Help
(See
ARHA 233)
234 Television Narratives
(See
ENGL 283)
238 Latin American Cinema
(See
SPAN 330)
312 Soundscapes of the Connecticut River Valley
(See
MUSI 238)
313 Television Detection
(See
ENGL 380)
316 Performance
(See
GERM 360)
317 Victorian Sensations, or, When Old Media Were New
(See
ENGL 375)
321 Bollywood: A Cinema of Interruptions
(See
ARHA 288)
322 South Asian Feminist Cinema
(See
SWAG 469)
323 Weimar Cinema: The "Golden Age" of German Film
(See
GERM 347)
324 New Latin American Documentary
(See
SPAN 335)
325 Nazi Cinema
(See
GERM 348)
328 Representation and Reality in Spanish Cinema
(See
SPAN 315)
332 Sound Design
(See
THDA 254)
335 Experiments in 16mm Film
(See
ARHA 335)
336 Solo Performance: Movement, Text, Sound, Video
(See
THDA 355)
342 Performance In (and Out of) Place
(See
THDA 252)
345 Performance Studio
(See
THDA 353)
346 2020 Vision: Seeing the American Election (Advanced Photo and Video Projects)
(See
ARHA 345)
351 Cinema and Everyday Life
(See
ENGL 381)
352 Russia and the Representation of Race
(See
RUSS 252)
353 A Decade Under the Influence: US Film of the 1970s
(See
ENGL 373)
354 Sound Design Studio
(See
THDA 354)
355 Disability Media
(See
ENGL 376)
357 Sergei Eisenstein's Cinema and Thought
(See
RUSS 245)
358 Spike Lee's Joints
(See
BLST 230)
359 Andy Warhol, Filmmaker
(See
ENGL 386)
370 Traumatic Events
(See
GERM 363)
375 Jazz Film: Improvisation, Narrativity, and Representation
(See
MUSI 225)
377 Women, Gender and Popular Culture
(See
SWAG 105)
379 Black Feminist Literary Traditions
(See
SWAG 208)
383 The Documentary Impulse
(See
ENGL 377)
410 Integrated Practices: Social Issues and the Interview
(See
ARHA 235)
423 The Film Essay
(See
ENGL 480)
424 “It was the ’70s”: US Film, History, and the Cultural Imagination
(See
ENGL 484)
430 Ozu Crossing Borders
(See
ASLC 430)
437 A Media History of Anime
(See
ASLC 437)
438 The City in Literature and Early Film
(See
ENGL 485)
441 Documentary Production
(See
ARHA 441)
443 Fictional Narrative Video Production
(See
ARHA 330)
444 Films That Try: Essay Film Production
(See
ARHA 444)
445 Advanced Projects in Video Production
(See
ARHA 445)
455 The Confession: Theory and Practice
(See
ENGL 477)
471 Deep Time: Memory, Media, and Ecological Imagination in the Americas
(See
ENGL 475)
479 Problems in Documentary
(See
ENGL 479)
481 Conversations with Experimental Filmmakers
(See
ENGL 481)
490 Special Topics
Independent reading course.
Fall and spring semester. The Department.
Other years: Offered in Fall 2011, Spring 2012, Fall 2012, Spring 2013, Fall 2013, Spring 2014, Fall 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021, Fall 2021, Spring 2022, Fall 2022,
Spring 2023,
Fall 2023,
Fall 2024498, 499 Senior Honors
Admission with consent of the instructor. Spring semester. The Department.
Other years: Offered in Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021,
Spring 2022,
Spring 2023,
Spring 2025Non-Language Departmental Courses
320 Japan on Screen
(See
ASLC 234)