Film & Media StudiesFAMS Cinematheque

The following screenings, hosted by Film & Media Studies courses, are open for all students to expand your film knowledge. We hope you will join us!

 

Sunday Feb 5, 4pm, Keefe 008 - Social Documentaries, 1934-1937 - Screening for Representing Reality

Hands (dir. Ralph Steiner & Willard Van Dyke, 1934, 4 min)

The Plow that Broke the Plains (dir. Pare Lorentz, 1936, 27 mins)

Housing Problems (dir. Edgar Antsey and Arthur Elton, 1935, 16 mins)

The Spanish Earth (dir. Joris Ivens, 1937, 52 mins)

 

Sunday Feb 5, 7pm, Keefe 008 - Screening for Film and Writing

Singin’ in the Rain (dir. Stanley Donen and Gene Kelly, 1952, 115 mins)

 

Sunday Feb 12, 4pm, Keefe 008 - The complex legacies of Robert Flaherty's Nanook of the North - Screening for Representing Reality

Nanook Revisited (dir. Claude Massot, 1990, 55 mins)

Nanook of the North (dir. Robert Flaherty, 1922, 79 mins)

 

Sunday Feb 12, 7pm, Keefe 008 - Screening for Film and Writing

Vertigo (dir. Alfred Hitchcock, 1958, 129 mins)

 

Sunday Feb 19, 7pm, Keefe 008 - Screening for Film and Writing

Cleo de 5 à 7 (Cleo, from 5 to 7) (dir. Agnes Varda, 1962, 90 mins)

 

Sunday Feb 19, 4pm, Keefe 008 - Observational Cinema - Screening for Representing Reality

Tonsler Park (dir. Kevin Jerome Everson, 2017, 80 mins)

Chronique d’un Etée (“Chronicle of a Summer,” dir. Jean Rouch and Edgar Morin, 90 mins)

 

Sunday Feb 26, 4pm, Keefe 008 - Cinema in the Archives - Screening for Representing Reality

The Fall of the Romanov Dynasty (1927, Esfir Shub, 88 mins)

Love is the Message, The Message is Death (Arthur Jafa, 2018, 8 mins)

 

Sunday March 5, 7pm, Keefe 008 - Screening for Film and Writing

Get Out (dir. Jordan Peele, 2017, 103 mins.) 

 

Tuesday, March 7, 7pm, Keefe 008 - Screening for Art Under Surveillance

Trust (17:44) & Final Tour (3:00) (dir. Jill Magid, 2004)

In Order Not to Be Here (dir. Deborah Stratman, 2002, 33 mins)

How Little We Know of Our Neighbors (dir. Rebecca Baron, 2005, 49 min)

 

Sunday March 19, 7pm, Keefe 008 - Screening for Film and Writing

Ex Machina (dir. Alex Garland, 2014, 108 mins.) 

 

Tuesday, March 21, 7pm, Keefe 008 - Screening for Art Under Surveillance

The Amateurist (dir. Miranda July, 1998, 14 min)

Swatted (dir. Ismaël Joffroy Chandoutis, 2018, 22 min)

Spying (dir. Joe Gibbons, 1978, 35 mins) 

 

Sunday March 26, 7pm, Keefe 008 - Screening for Film and Writing

Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (dir. Céline Sciamma, 2019, 131 mins.) 

 

Sunday April 2, 7pm, Keefe 008 - Screening for Film and Writing

Yours in Sisterhood (dir. Irene Lusztig, 2018, 101 mins.) 

 

Sunday April 23, 7pm, Keefe 008 - Screening for Film and Writing

Rūzī kih zan shudam (The Day I Became A Woman) (dir. Marziyeh Meshkini, 2000, 74 mins.) 

 

Sunday May 7, 7pm, Keefe 008 - Screening for Film and Writing

Everything Everywhere All At Once (dir. Daniel Kwan and Daniel Scheinert, 2022,140 mins. )

 

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More screenings will be added soon. If you aren’t a major, be sure to join our FAMS mailing list to be kept up to date via a periodic newsbrief. 

 

Sunday, February 20, 4pm Keefe 008 L’Age d’Or (Luis Buñuel, 1930, 60 min.); Screening for Intimate Film Cultures

 

Monday, February 21, 7pm Keefe 008 We See as We Made: 16MM Films from France and Not; (additional event details at the link); Screening for Coming to Terms: Cinema

 

Sunday, February 27, 4pm Keefe 008 Christopher Strong (Dorothy Arzner, 1933, 78 min.); Screening for Intimate Film Cultures

 

Sunday, February 27, 7pm Keefe 008 Frankenstein (dir. James Whale, US, 1931); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, February 28, 7pm, Keefe 008 Captain Marvel (Anna Boden and Ryan Fleck, 2019, 123 min.); Screening for Coming to Terms: Cinema

 

Tuesday, March 1, 7PM, Keefe 008 All Light, Everywhere (Theo Anthony, 2021, 109 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, March 6, 7pm Keefe 008 Gothic (dir. Ken Russell, UK, 1986); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, March 7, 7pm, Keefe 008 Looking for Langston (Isaac Julien, 1989, 45 min.), and The Watermelon Woman (Cheryl Dunye, 1996, 90 min.); Screening for Coming to Terms: Cinema

 

Sunday, March 20, 4pm Keefe 008 Now, Voyager (Irving Rapper, 1942, 117 min.); Screening for Intimate Film Cultures

 

Sunday, March 27, 7pm Keefe 008 Dr. Jekyll and Mr. Hyde (dir. Victor Fleming, US, 1941); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, March 28, 7pm, Keefe 008 Life of an American Fireman (Edwin S. Porter, 1903, 6 min.), The Lonely Villa (D.W. Griffith, 1909, 8 min.), and Rear Window (Alfred Hitchcock, 1954, 112 min.); Screening for Coming to Terms: Cinema

 

Monday, April 4, 7pm, Keefe 008 The Goddess (Wu Yonggang, 1934, 85 min.); Screening for Coming to Terms: Cinema

 

Tuesday, April 5, 7PM, Keefe 008 The Prison in Twelve Landscapes (Brett Story, 2016, 90 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, April 10, 4pm Keefe 008 Swing! (Oscar Micheaux, 1939, 69 min); Screening for Intimate Film Cultures

 

Sunday, April 10, 7pm Keefe 008  Dracula (dir. Tod Browning, Universal, 1931); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, April 11, 7pm, Keefe 008 Close-Up (Abbas Kiarostami, 98 min.); Screening for Coming to Terms: Cinema

 

Sunday, April 17, 7pm Keefe 008  Gaslight (dir. George Cukor, MGM, 1944), and Rebecca (dir. Alfred Hitchcock, United Artists, 1940); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday April 18, 7pm, Keefe 008 The Exiles (Kent Mackenzie, 1961, 72 min.); Screening for Coming to Terms: Cinema

 

Tuesday, April 19, 7PM, Keefe 008 The Infiltrators (Cristina Ibarra and Alex Rivera, 2019, 95 mins); ; Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, April 24, 4pm Keefe 008 Measures of Distance (Mona Hatoum, 1988, 15 min.), and I Can’t Sleep (Claire Denis, 1994, 110 min); Screening for Intimate Film Cultures

 

Sunday, April 24, 7pm Keefe 008 The Haunting (dir. Robert Wise, UK, 1963), and The Haunting of Hill House, Episode 1 (Netflix, 2018); Screening for Gothic/Horror: Literature, Film, Television*

 

Tuesday, April 26, 7PM, Keefe 008 Pre-Existing Condition (Carolyn Lazard, 2019, 6 mins), and Shared Resources (Jordan Lord, 2021, 98 mins); Screening for After COPS:  Police, Media, and Prison Abolition 

 

Sunday, May 1, 7pm Keefe 008  Penny Dreadful, Episode 1 (Showtime, 2014-2016), and Get Out (dir. Jordan Peele, 2017); Screening for Gothic/Horror: Literature, Film, Television*

 

Tuesday, May 3, 7PM, Keefe 008 NŨHŨ YÃGMŨ YÕG HÃM: This Land is Our Land! (Isael Maxakali, Sueli Maxakali, Carolina Canguçu, Roberto Romero, 2020, 70 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

*Note: Some of these films depict graphic violence, physical and emotional abuse, psychological manipulation, and representations of mental illness.