Spring 2022: The following screenings, hosted by FAMS courses, are open for all students. Expand your film knowledge! We hope you will join us.

 

Sunday, February 20, 4pm Keefe 008 L’Age d’Or (Luis Buñuel, 1930, 60 min.); Screening for Intimate Film Cultures

 

Monday, February 21, 7pm Keefe 008 We See as We Made: 16MM Films from France and Not; (additional event details at the link); Screening for Coming to Terms: Cinema

 

Sunday, February 27, 4pm Keefe 008 Christopher Strong (Dorothy Arzner, 1933, 78 min.); Screening for Intimate Film Cultures

 

Sunday, February 27, 7pm Keefe 008 Frankenstein (dir. James Whale, US, 1931); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, February 28, 7pm, Keefe 008 Captain Marvel (Anna Boden and Ryan Fleck, 2019, 123 min.); Screening for Coming to Terms: Cinema

 

Tuesday, March 1, 7PM, Keefe 008 All Light, Everywhere (Theo Anthony, 2021, 109 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, March 6, 7pm Keefe 008 Gothic (dir. Ken Russell, UK, 1986); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, March 7, 7pm, Keefe 008 Looking for Langston (Isaac Julien, 1989, 45 min.), and The Watermelon Woman (Cheryl Dunye, 1996, 90 min.); Screening for Coming to Terms: Cinema

 

Sunday, March 20, 4pm Keefe 008 Now, Voyager (Irving Rapper, 1942, 117 min.); Screening for Intimate Film Cultures

 

Sunday, March 27, 7pm Keefe 008 Dr. Jekyll and Mr. Hyde (dir. Victor Fleming, US, 1941); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, March 28, 7pm, Keefe 008 Life of an American Fireman (Edwin S. Porter, 1903, 6 min.), The Lonely Villa (D.W. Griffith, 1909, 8 min.), and Rear Window (Alfred Hitchcock, 1954, 112 min.); Screening for Coming to Terms: Cinema

 

Monday, April 4, 7pm, Keefe 008 The Goddess (Wu Yonggang, 1934, 85 min.); Screening for Coming to Terms: Cinema

 

Tuesday, April 5, 7PM, Keefe 008 The Prison in Twelve Landscapes (Brett Story, 2016, 90 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, April 10, 4pm Keefe 008 Swing! (Oscar Micheaux, 1939, 69 min); Screening for Intimate Film Cultures

 

Sunday, April 10, 7pm Keefe 008  Dracula (dir. Tod Browning, Universal, 1931); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday, April 11, 7pm, Keefe 008 Close-Up (Abbas Kiarostami, 98 min.); Screening for Coming to Terms: Cinema

 

Sunday, April 17, 7pm Keefe 008  Gaslight (dir. George Cukor, MGM, 1944), and Rebecca (dir. Alfred Hitchcock, United Artists, 1940); Screening for Gothic/Horror: Literature, Film, Television*

 

Monday April 18, 7pm, Keefe 008 The Exiles (Kent Mackenzie, 1961, 72 min.); Screening for Coming to Terms: Cinema

 

Tuesday, April 19, 7PM, Keefe 008 The Infiltrators (Cristina Ibarra and Alex Rivera, 2019, 95 mins); ; Screening for After COPS:  Police, Media, and Prison Abolition

 

Sunday, April 24, 4pm Keefe 008 Measures of Distance (Mona Hatoum, 1988, 15 min.), and I Can’t Sleep (Claire Denis, 1994, 110 min); Screening for Intimate Film Cultures

 

Sunday, April 24, 7pm Keefe 008 The Haunting (dir. Robert Wise, UK, 1963), and The Haunting of Hill House, Episode 1 (Netflix, 2018); Screening for Gothic/Horror: Literature, Film, Television*

 

Tuesday, April 26, 7PM, Keefe 008 Pre-Existing Condition (Carolyn Lazard, 2019, 6 mins), and Shared Resources (Jordan Lord, 2021, 98 mins); Screening for After COPS:  Police, Media, and Prison Abolition 

 

Sunday, May 1, 7pm Keefe 008  Penny Dreadful, Episode 1 (Showtime, 2014-2016), and Get Out (dir. Jordan Peele, 2017); Screening for Gothic/Horror: Literature, Film, Television*

 

Tuesday, May 3, 7PM, Keefe 008 NŨHŨ YÃGMŨ YÕG HÃM: This Land is Our Land! (Isael Maxakali, Sueli Maxakali, Carolina Canguçu, Roberto Romero, 2020, 70 mins); Screening for After COPS:  Police, Media, and Prison Abolition

 

*Note: Some of these films depict graphic violence, physical and emotional abuse, psychological manipulation, and representations of mental illness.