(Offered as LLAS 200 and AMST 206) In this course students will become familiar with the major debates that have animated Latinx and Latin American Studies, addressing a wide range of issues from the Conquest to the present. Each week students will focus on specific questions such as: Does Latin America have a common culture? Is Latin America part of the Western world? Is Latinx a race or an ethnicity? Is U.S. Latinx identity rooted in Latin America or the United States? Are Latin American nations post-colonial? Was the modern concept of race invented in the Caribbean at the time of the Conquest? The opposing viewpoints around such questions will provide the main focus of the reading assignments, which will average two or three articles per week. In the first four weeks, students will learn a methodology for analyzing, contextualizing, and making arguments that they will apply in developing their own positions in the specific controversies that will make up the rest of the course.
Limited to 15 students. Spring Semester. Professor Alicia Christoff.
Other years: Offered in Fall 2018, Fall 2019, Fall 2020, Spring 2022, Spring 2023, Fall 2024, Spring 2025A joyful introduction to modern Latin American literary classics in translation through the works of Sor Juana Inés de la Cruz, Jorge Luis Borges, Pablo Neruda, Julio Cortazar, Gabriel Garcia Marquez, Roberto Bolano, Clarise Lispector, and others. The discussion-driven classes will focus on aesthetic movements like Magical Realism as well as on the development of national identity, mestizaje, civil unrest, racial and gender relations, humor, translation, and the opposition between Europeanized and indigenous worldviews. Students will delve into canonical poems, stories, essays, and short novels from the seventeenth century to the present that have reshaped the international scene. Language: English.
Limited to 40 students. January term. Professor Stavans.
2023-24: Not offered(Offered as HIST 264 [LA/TC/TE/TR/P] and LLAS 264) Over the course of three centuries, massive migrations from Europe and Africa and the dramatic decline of indigenous populations in South and Central America radically transformed the cultural, political, economic, and material landscape of what we today know as Latin America. This course will investigate the dynamism of Latin American societies beginning in the ancient or pre-conquest period and ending with the collapse of European rule in most Spanish, Portuguese, and French speaking territories in the New World. We will explore this history through the eyes of various historical actors, including politicians, explorers, noble men and women, indigenous intellectuals, and African slaves. In addition to interrogating the myriad of peaceable and creative cross-cultural exchanges and interactions that characterized the relationship between these groups, we will also explore how conflict, exploitation, and natural disaster shaped the Colonial Latin American experience. Through a mixture of lecture, small and large group activities, and analysis of primary and secondary sources we will also consider how historians understand the past as well as the foundational debates which shape our current interpretations of colonial Latin American history. Two class meetings per week.
Not offered in 2023-24.Omitted 2022-23. Professor Lopez.
2023-24: Not offeredGabriel Garcia Marquez's novel One Hundred Years of Solitude is the best novel ever written in Spanish in the Americas. Appearing inauspiciously in 1967, it became the flagship of the so-called "El Boom," an aesthetic movement that inscribed Latin America in the banquet of world literature. It also inaugurated the style called "lo real maravillioso," loosely translated into English as Magical Realism. The narrative tells the rise and fall of Macondo, a mythical town in Colombia's Caribbean coast. At its center is the Buendias, a family of dreamers and entrepreneurs through whom the history of the entire region is told. It is fair to say that after One Hundred Years of Solitude, which brought Garcia Marquez the Nobel Prize, global literature has never been the same. Its influence on figures as diverse as Toni Morrison, Salman Rushdie, Orham Pamuk, and Mo Yan is enormous and continues to reverberate. The course is structured as a Talmudic (e.g., detailed, contextual, ahistorical) reading of the novel. Other works by the author and his contemporaries will also be discussed. After decades in Spanish, this is the first time the course will be taught in English, meaning that students will engage with the material in Gregory Rabassa's masterful translation. However, native Spanish speakers who choose so will be allowed to immerse themselves in the original and write in Spanish.
Limited to 25 students. Omitted 2023-24. Professor Stavans.
2023-24: Not offeredSpring semester. The Department.
Other years: Offered in Spring 2023