10/30 M@A Callidore String Quartet
FRIDAY, OCTOBER 30, 2020 • 8 PM VIRTUAL PERFORMANCE
Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, the Calidore String Quartet first made international headlines as winner of the $100,000 Grand Prize of the 2016 M-Prize Chamber Arts Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, a BBC Radio 3 New Generation Artist, and is currently in residence with the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two). The Calidore String Quartet has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct.” The Los Angeles Times described the quartet as “astonishing” and praised its balance of “intellect and expression.” The Washington Post said that “Four more individual musicians are unimaginable, yet these speak, breathe, think and feel as one.”
10/31 Choral Society Livestream Concert 3 PM EST
The Amherst Choral Society presents a concert from Buckley Recital Hall in the Arms Music Center. The concert will be livestreamed on the Amherst College website, FREE to the public; no in-person audience will be present.
Dr. Noah Horn and Assistant Conductor Theo Peierls '19 conduct traditional Amherst College songs including “Hand Me Down My Bonnet,” “Hymn to Amherst,” “O Amherst, Our Amherst” and “Paige's Horse.” Additional repertoire includes Samuel Barber’s “Under the Willow tree” and a virtual choir to conclude the concert with “Three Gifts” and “To the Fairest College.”
10/31 ASO Concert: "They Persisted: Concert Masterpieces by Trailblazing Women Composers" 6 PM EST
The Amherst Symphony Orchestra (ASO) and Chamber Music Program present works by Hildegard von Bingen, Ethyl Smyth, Amy Beach, Cécile Chaminade, Chrétien Hedwige, Florence Price, Valerie Coleman, Joan Tower and Ellen Taafe Zwillich in a FREE, livestreamed concert in honor of the 100th anniversary of the 19th Amendment establishing women's right to vote.
Female composers have long faced unjust exclusion from the concert hall. Patriarchal gate-keeping and gender bias has unfairly dictated whose music would be heard. Women are dramatically underrepresented both in the music academy and on classical music stages. The ASO seeks to do its part to begin remedying this artistic inequity in a varied program of works by women composers.