*Lessons with a jazz focus can be made available for any instrument
From Left to Right: Eugene Uman (Jazz Piano), Jason Robinson (Assistant Professor of Jazz and Popular Music), Ann Maggs (Voice), Bruce Diehl (Director of Jazz Performance Program) David Picchi (Bass), Claire Arenius (Drums), Joe Belmont (Guitar), Geoff Cunningham (Trumpet), Carl Clements (Saxophone)
In addition to performing & composing, Claire also serves as an educator on adjunct faculty of music at
Amherst College and at Smith College, and as a clinician for various educational jazz programs.Claire Arenius has been actively performing in jazz for almost 30 years. Her formative years were spent studyi
ng music at Univ. of Mass. where Archie Shepp and Max Roach were on facult
Click here to email Clairey. She relocated to N.Y. after receiving a National Endowment Grant to study with master drummer, Charli Persip; which led to her joining trombonist/arranger Melba Liston's group and to performances at Carnegie Hall, Seaport, Blues Alley, The Bottom Line, and other major jazz venues. She toured Europe as the drummer for guitar master Attila Zoller's Trio, playimg the major Jazz Festivals in Germany, Austria & Switzerland. She has also performed/recorded with many reknown jazz artists, including Archie Shepp, Marion Brown, Tal Farlow, Barney Kessel, Ray Copeland, Slide Hampton, Mose Allison, Sheila Jordan & others. Claire has recently released her debut CD as a leader, "When Worlds Touch You", featuring all her original compositions, with a trio including Eugene Uman & Thomson Kneeland. They were recently featured performing in South America at Medellin, Colombia‘s International Millennium Jazz Festival; and also at this year‘s Discover Jazz Festival in Burlington, Vt.
For booking info, or to order CDs: http://www.clairearenius.com
Joe Belmont has released two CD's of his own music, and produced and performed on numerous other recordings. He has played with world beat band Viva Quetzal for over 20 years, releasing three CD's and touring extensively. He plays with flutist Sarah Swersey in Duo Fusion, and they have released a CD. Joe teaches on the Performance Faculty at Amherst College, and as Director of Jazz at the Northampton Community Music Center. In 2013 he served as Music Director for the world premier of Grammy and Tony winners Steven Sater and Duncan Sheik's play "Arms on Fire." He is currently writing music and getting ready for the Joe Belmont Experience. www.joebelmont.com
Carl Clements (saxophones/flutes/bamboo flute) received a BM in Jazz Composition and Arranging from the Berklee College of Music in 1987, an MFA in Jazz Performance from the California Institute of the Arts in 1990, completed a year of study in the DMA program in World Music at the New England Conservatory, and received a PhD in Ethnomusicology from the CUNY Graduate Center in 2010. His PhD dissertation is entitled "Pannalal Ghosh and the Bānsurī in the Twentieth Century" (see abstract), and his writing is published in various academic books and journals (see Academic Resume). He has studied North Indian classical music on the bansuri (North Indian bamboo flute) since 1989 with Dave Philipson, Amiya Dasgupta, Steve Gorn, Devendra Murdeshwar, George Ruckert, Peter Row, and Nityanand Haldipur.
He is currently Visiting Assistant Professor of Music at Hampshire College, and is an active performer and composer of jazz and world music.
Raised in Connecticut and educated at UMass Amherst under the direction of Jeff Holmes, Geoff Cunningham's sound is influenced by jazz trumpet greats such as Clifford Brown, Miles Davis, and Woody Shaw. Geoff is a diversely experienced musician who plays throughout New England in a variety of musical settings, including a regular chair in the Amherst Jazz Orchestra and the Jeff Holmes Big Band, and can also be found teaching music lessons and classes at Amherst College, Greenfield, and Holyoke Community Colleges.
Director, Amherst College Jazz Ensemble, Combos, Lecturer in Jazz Improvisation/Theory
Bruce Diehl has been teaching and performing in the Amherst, MA since 1993. In 1995, he completed his Masters of Music Degree in Jazz Composition and Arranging at the University of Massachusetts, Amherst. His composition/arranging teachers included Jeff Holmes, Yusef Lateef and Frederick Tillis.
Bruce did his undergraduate studies at the Eastman School of Music, Rochester, NY, graduating in 1990. At Eastman, he completed two Bachelors Degrees, one in Saxophone Performance, the other in Music Education. He studied with saxophonist/author Ramon Ricker, and with the late Rayburn Wright. Performances at Eastman included the Eastman Jazz Ensemble, Eastman Wind Ensemble (in which he toured Japan in 1990 and recorded a disc, Live in Japan (for CBS/Sony) and performances with Bill Dobbins, Ramon Ricker, Branford Marsalis, Louis Bellson, Clark Terry, Steve Houghton, and Paquito D'Rivera.
Prior to his work at Amherst College, Bruce was Director of Instrumental Music and Jazz Studies at Northfield Mount Hermon School, a private boarding school serving grades 9-12. His responsibilities at NMH included directing the then newly-formed Concert Band, the NMH Jazz Ensemble, and the Jazz Combo. He taught Saxophone, Jazz History, Jazz Theory and Arranging, and Electronic Music at NMH. He was the founder and coordinator of the annual NMH Jazz Festival, hosting such artists as Robert Levy, Rob Tapper, Eric Applegate and David Sporny (with the Amherst Jazz Orchestra). Bruce also directed the Smith College Jazz Ensemble and Wind Ensemble.
Currently, Bruce is a Director of Jazz Performance at Amherst College. His responsibilities at Amherst include directing the Jazz Ensemble, Jazz Combos, teaching jazz improvisation, jazz theory, and jazz arranging/composition. In addition, he coordinates the Jazz@Schwemm's performance series that take place in October and March.
Bruce remains active as a clinician, performer and guest director at jazz festivals. The summer of 2001 saw Bruce teach at the inaugural season of the Jazz Dialogues Summer Camp at Eastern Washington University in Cheney, WA, and he has been back in subsequent summers. He has spent 11 summers (1988-1995, 1999-2001) teaching saxophone and jazz-related courses and directing various ensembles at Camp Encore/Coda, a music camp for ages 8-18 in Sweden, Maine. He is a regular member of the Jeff Holmes Big Band and has taught saxophone, jazz education, and directed combos since 2006 at Jazz in July, a summer jazz school hosted at UMASS. He has performed several times with the Springfield Symphony Pops. He has directed Junior and Senior High District Jazz Festivals in Western MA and Vermont, as well as the Maine All State Jazz Combo in 2012. His new album "Bug Juice" has enjoyed success and has received air time on the local FM radiowaves.
Ann Maggs began singing in smoky bars at age 14, joining the Musician’s Union a year later. She has performed with Don Was, Jim Argiro, Fred Karlin, Andy Jaffe, Jeff Holmes, Gary Wofsey, and Rick Stepton, and sings with the Big Bands of Jeff Holmes, Sonny Costanza, Don Baptiste, and Everett Longstreth’s “Tribute to Benny Goodman” Orchestra. She sings throughout New England and New York, performing at the Plaza in New York City, First Night in Saratoga Springs, NY, and has a long-standing New Year’s Eve gig at the Inn at Sawmill Farm in West Dover, VT.
A graduate of the University of Massachusetts and the University of Rhode Island, Ann is the Assistant Music Librarian at Amherst College and teaches Jazz Voice at Amherst College as well as Westfield State College. She is a clinician at Massachusetts All State Conferences, and an adjudicator for IAJE festivals of jazz choirs.
She is the narrator of several Emmy nominated documentaries for Public Television and can be heard on the computer game, “Majesty”. She is actor, composer, and music director with the Hampshire Shakespeare Company. Among her stage roles are Gertrude in Hamlet, Joy Gresham in Shadowlands, and Mrs. Lovett in Sweeney Todd. Ann is an archivist and playwright, portraying Edith Piaf, philanthropist Belle Skinner, and Mabel Loomis Todd, the first editor of Emily Dickenson’s poems.
Jazz Bass and Combo Coach
David Picchi has been performing and teaching music throughout the Pioneer Valley since 2001. As an electric and double bass player, he has been called to play on many recording projects and is known for his ability to perform with any lineup, in any genre, for any audience.
After graduating from Holyoke Community College and UMass Amherst, David spent 3 years touring nationally with the Soul/R&B band Leah Randazzo Group. In addition to being the Administrative Director for the UMass Jazz in July Summer Music Programs, David is a member of the Amherst College Music Department faculty, and also contributes his skills and services to the HCC Jazz Festival, Northampton Jazz Festival, Mt. Holyoke College Music Department, and Vermont Jazz Center.
David has performed, or can currently be seen performing with Karrin Allyson, Chocolate Peach, FlavaEvolution, Evelyn Harris, Chuck Langford, Yusef Lateef, Kevin Mahogany, Charles Neville, Dick Oatts, Arturo O'Farrill, Beau Sasser, Miro Sprague and many other wonderful musicians.
Assistant Professor of Jazz and Popular Music, Saxophone
American saxophonist and scholar Jason Robinson is fascinated by the relationship between improvised music, experimentalism, and cultural identity. His current performance interests include the intersection of improvisation and composition, new electro-acoustic processing and interaction enabled through software-based technologies, and the relationship between popular music and experimentalism. He performs regularly as a soloist (acoustically and with electronics), with groups he co-leads (Cosmologic and the Cross Border Trio), as a leader of varying ensembles performing his original music, and in a variety of collaborative contexts. His latest albums include his fourth release as a leader—Cerberus Rising (2009/Circumvention)—and the fourth release by Cosmologic, Eyes in the Back of My Head (2008/Cuneiform). He has performed at festivals and prominent venues in the United States, Canada, Mexico, and Europe. He has performed or recorded with Peter Kowald, George Lewis, Anthony Davis, Eugene Chadbourne, Earl Howard, Emily Hay, Jeff Kaiser, Toots and the Maytals, Groundation, Elijah Emanuel and the Revelations, Bertram Turetzky, Mark Dresser, John Russell, Roger Turner, Gerry Hemingway, Kei Akagi, Mel Graves, Liberty Ellman, Babatunde Olatunji, Mel Martin, Marco Eneidi, Lisle Ellis, Raphe Malik, Mike Wofford, Philip Gelb, J.D. Parran, Dana Reason, David Borgo, Nathan Hubbard, Michael Dessen, Contemporary Jazz Orchestra (at Pearl's, San Francisco), the La Jolla Symphony, SONOR (UCSD), and the San Francisco Mime Troupe, among others. Robinson has published articles and reviews in Ethnomusicology and Critical Studies in Improvisation/ Études critiques en improvisation. Robinson holds a Ph.D. in Music from the University of California, San Diego
Eugene Uman received an MA from Queens College in Jazz Performance, and was a recipient of a Eubie Blake Scholarship. He was former faculty at 3rd Street Music Settlement House in NYC, Colegio de Musica, Medellin, Colombia, and has recorded with Carlos Averhoff of Irakere as well as various Latin American ensembles; also performed with Donald Byrd, Jerry Bergonzi, Larry Rivers group, Vermont Jazz Ensemble. Eugene has been commissioned by the Big Band de Medellin to compose and perform, and has given workshops at the university level in jazz composition, jazz theory and harmony, jazz improvisation, jazz pedagogy, and jazz history and appreciation. Eugene is the Artistic Director at the Vermont Jazz Center in Brattleboro, VT.