This course introduces students to the issues involved in the social and historical construction of gender and gender roles from a cross-cultural and interdisciplinary perspective. Topics change from year-to-year and have included women and social change; male and female sexualities including homosexualities; the uses and limits of biology in explaining human gender differences; women’s participation in production and reproduction; the relationship among gender, race and class as intertwining oppressions; women, men and globalization; and gender and warfare.
Fall semester. Professors Henderson and Barale.
2023-24: Not offered(Offered as SWAG 105 and FAMS 377.) In this course, students will interrogate the precarious relationship between political and popular culture. As we study how politics has successfully deployed popular culture as an ideological tool, we will also consider how politics has overburdened popular culture as a vehicle of change. These broad issues will serve as our framework for analyzing black femininity, womanhood, and the efficacy of the word “feminism” in the post-Civil Rights era. We will think critically about the construction of gender, race, sexuality, and class identity as well as the historical and sociopolitical context for cultural icons and phenomena. Students will read cultural theory, essays, fiction as well as listen to, and watch various forms of media. Expectations include three writing/visual projects as well as a group presentation.
Limited to 15 students. Spring semester. Professor Henderson.
2023-24: Not offered(Offered as SWAG 112 and ENGL 153.) This course will examine the emergence of the “New Woman” as a category of social theory, political action, and literary representation at the turning of the twentieth century. Early readings will trace the origins of the New Woman as a response to nineteenth-century notions of “True Womanhood.” Discussions will situate literary representations of women in larger cultural events taking place during the Progressive Era–debates over suffrage as well as their relationship to issues of citizenship, immigration, Jim Crow segregation, urbanization, and nativism. The course will focus on texts written by a diverse group of women that present multiple and, at times, conflicting images of the New Woman. Close attention will be paid to the manner in which these women writers constructed their fictions, particularly to issues of language, style, and form. Readings will include texts by Charlotte Perkins Gilman, Kate Chopin, Edith Wharton, Pauline Hopkins, Anzia Yezierska, and Sui Sin Far.
Preference will be given to first-year students, SWAG students, and American Studies students. Limited to 18 students. Fall semester. Lecturer Bergoffen.
2023-24: Not offered
This course explores the relationships among diverse American women between 1880 and 1930. Intersections will serve as a conceptual framework for considering the ways women forged coalitions and marked distinctions along ethnic, racial, sexual, and class lines. The nation changed significantly during the Gilded Age and Progressive Era, and women responded to these changes variously. A vocal group campaigned for suffrage, even as some women fought against it. Reformers opened settlement houses and championed social work, while working-class women critiqued reformist ideologies. Some women sought personal independence through contraception, while others found it in same-sex communities. The course will engage with a range of materials, including fiction, memoir, historical documents, and photography; readings will include selections of literary criticism, ethnic and racial studies, and social history.
Limited to 18 students. Omitted 2016-17. Lecturer Bergoffen.
2023-24: Not offeredIn this course we will investigate contemporary feminist thought from a variety of disciplinary perspectives. We will focus on key issues in feminist theory, such as the sex/gender debate, sexual desire and the body, the political economy of gender, the creation of the "queer" as subject, and the construction of masculinity, among others. This course aims also to think through the ways in which these concerns intersect with issues of race, class, the environment and the nation.
Open to first-year students who have taken SWAG 100 and upper-class students. Spring semester. Professor Shandilya.
Other years: Offered in Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025(Offered as SWAG 202, BLST 242 [US], and ENGL 259.) Why do love and courtship continue to be central concerns in black women's literature and contemporary black popular fiction? Are these thematic issues representative of apolitical yearnings or an allegory for political subjectivity? Drawing on a wide range of texts, we will examine the chasm between the "popular" and the literary, as we uncover how representations of love and courtship vary in both genres. Surveying the growing discourse in media outlets such as CNN and the Washington Post regarding the "crisis" of the single black woman, students will analyze the contentious public debates regarding black women and love and connect them to black women's literature and black feminist literary theory. Authors covered will range from Nella Larsen to Terry McMillan and topics will include gender, race, class, and sexuality.
Limited to 18 students. Open to first-year students with consent of the instructor. Fall semester. Professor Henderson.
2023-24: Not offered(Offered as SWAG 207, ASLC 207, and POSC 207 [SC].) This course will study South Asian women and gender through key texts in film, literature, history and politics. How did colonialism and nationalism challenge the distinctions between the “home” and the “world” and bring about partitions which splintered once shared cultural practices? What consequences did this have for postcolonial politics? How do ethnic conflicts, religious nationalisms and state repression challenge conceptions of home? How have migrations, globalization and diasporas complicated relations between the home and the world?
Spring semester. Professors Shandilya and Basu.
2023-24: Not offered(Offered as SWAG 208, BLST 345 [US], ENGL 276, and FAMS 379.) Reading the work of black feminist literary theorists and black women writers, we will examine the construction of black female identity in American literature, with a specific focus on how black women writers negotiate race, gender, sexuality, and class in their work. In addition to reading novels, literary criticism, book reviews, and watching documentaries, we will examine the stakes of adaptation and mediation for black female-authored texts. Students will watch and analyze the film and television adaptations of The Color Purple (1985), The Women of Brewster Place (1989), and Their Eyes Were Watching God (2005) as well as examine how Toni Morrison’s The Bluest Eye (1970) was mediated and interpreted by Oprah Winfrey’s book club and daytime talk show. Authors will include Toni Morrison, Zora Neale Hurston, Alice Walker, Gwendolyn Brooks, and Gloria Naylor. Writing Attentive. Expectations include three writing projects, a group presentation, and various in-class assignments.
Limited to 20 students. Priority given to those students who attend the first day of the class. Open to first-year students with consent of the instructor. Omitted 2016-17. Professor Henderson.
2023-24: Not offered(Offered as SWAG 210 and ANTH 210.) This course draws on anthropological literature to study the socio-cultural making of human sexuality and its variations. We will critically examine theories of sexuality as a domain of human experience and locate sexual acts, desires and relations in particular historical and cultural contexts. The course offers analytical tools to understand and evaluate different methods and approaches to the study of human sexuality. We will examine the relation of sex to kinship/family, to reproduction and to romance. As we read about the bodily experience of sexual pleasure, we will explore how sexual taboos, norms and morality develop in various cultures and why sex acquires explosive political dimensions during certain historical periods. The course will explore the gendered and racial dimensions of human sexual experience in the context of class, nation and empire. How do class divisions produce different sexual cultures? What economies of sex are involved in sex work, marriage and immigration? What has been the role of sexuality in projects of nation building and in colonial encounters? When, where and how did sexuality become a matter of identity? In addition to a focus on contemporary ethnographic studies of sexuality in various parts of the world, we will read theoretical and historical texts that have been influential in shaping the anthropological approaches to sexuality. We will also briefly address scientific theories of sexuality. Two meetings per week.
Omitted 2016-17. Professor Sadjadi.
2023-24: Not offered(Offered as SWAG 279, BLST 202, and ENGL 279.) What do we mean by “women’s fiction”? How do we understand women’s genres in different national contexts? This course examines topics in feminist thought such as marriage, sexuality, desire and the home in novels written by women writers from South Asia, Africa and the Caribbean. We will draw on postcolonial literary theory, essays on transnational feminism and historical studies to situate our analyses of these novels. Texts include South African writer Nadine Gordimer’s My Son’s Story, Indian novelist Kiran Desai’s The Inheritance of Loss, and Caribbean author Shani Motoo’s Cereus Blooms at Night.
Fall semester. Professor Shandilya.
Other years: Offered in Fall 2015, Fall 2016, Spring 2019, Spring 2020, Spring 2023This seminar will explore the influence of gender studies and of feminism on our research questions, methods and the way we situate ourselves in relationship to our scholarship. For example, how can we employ ethnography, textual analysis, empirical data and archival sources in studying the complex ties between the local and the global, and the national and the transnational? Which ideas and methods are best suited to analyzing the varied forms of women’s resistance across ideological, class, racial and national differences? Our major goal will be to foster students' critical skills as inter-disciplinary, cross cultural writers and researchers. This course counts as a proseminar designed for juniors and seniors in SWAGS.
Requisite: SWAG 100 or consent of the instructor. Limited to 20 students. Not open to first-year students. Fall semester. Professor Basu.
2023-24: Not offeredThis seminar explores the role of science in the understanding and making of human sexuality. The notion of “sexuality”--its emergence and its recent history--has an intimate relation to biology, medicine and psychology. In this course we explore the historical emergence of the scientific model of sexuality and the challenges to this model posed from other worldviews and social forces, mainly religion, social sciences, and political movements. We examine how sex has intersected with race and nationality in the medical model (for instance, in the notion of degeneration), and we look closely at the conceptualization of feminine and masculine sexual difference. We briefly address studies of animal models for human sexuality, and we examine in more depth case histories of “perversion,” venereal disease, orgasm and sex hormones. We also compare contemporary biological explanations of sexuality with the nineteenth-century ones, for instance, the notion of the “gay gene” as compared to the hereditary model of “sexual inversion.” Course readings include historical and contemporary sexological and biological texts (Darwin, Freud, Kinsey, etc.), their critiques, and contemporary literature in science studies, including feminist and queer studies of science. This seminar requires active participation, reading an array of diverse and interdisciplinary texts and preparing research-based papers and presentations.
Limited to 15 students. Omitted 2016-17. Professor Sadjadi.
2023-24: Not offered(Offered as SWAG 329, BLST 377 [US], and ENGL 368.) History has long valorized passive, obedient, and long-suffering black women alongside aggressive and outspoken black male leaders and activists. This course provides an alternative narrative to this misrepresentation, as we will explore how “bad” is defined by one’s race, gender, class, and sexuality as well as how black women have transgressed the boundaries of what it means to be “good” in U.S. society. We will use an interdisciplinary perspective to examine why black women have used covert and explicit maneuvers to challenge the stereotypical “respectable” or “good” black woman and the various risks and rewards they incur for their “deviance.” Students should be aware that part of this course is “immersive” and consequently, students will participate in a master class that will explore how dance operates as a way to defy race, class, and gender norms.
Open to first-year students with consent of the instructor. Priority given to students who attend the first day of class. Writing Attentive. Limited to 18 students. Expectations include a master dance class, three writing projects, a group presentation, and various in-class assignments. Spring semester. Professor Henderson.
2023-24: Not offered(Offered as SWAG 331 and ENGL 319.) What is the novel? How do we know when a work of literature qualifies as a novel? In this course we will study the postcolonial novel which explodes the certainties of the European novel. Written in the aftermath of empire, these novels question race, class, gender and empire in their subject matter and narrative form. We will consider fiction from South Asia, the Caribbean and sub-Saharan Africa. Novels include South African writer J.M. Coetzee’s Waiting for the Barbarians, Salman Rushdie’s Midnight’s Children and Caribbean novelist Dionne Brand’s In Another Place, Not Here.
Fall semester. Professor Shandilya.
2023-24: Not offeredWhat is the status of women in the Islamic Middle East? What factors determine the changing roles of women in the Islamic Middle East? This course offers an introduction to the status and roles of Muslim women of the Middle East, including the Arab World, North Africa, Turkey, and Iran, from pre-Islamic times to the modern period. Given the complexities of the relationship between men and women, the readings explore key ideas about women that were developed by major male scholars, including Ulama (clergymen) and intellectuals. By focusing on women’s activist movements throughout history, this course examines the social changes brought about by Muslim and non-Muslim women who claimed their rights within their family and in society and politics.
We will apply an interdisciplinary approach in order to incorporate concepts from different fields, mainly history, literature, and art. We will use lectures, media representations, and discussions to progress from pre-Islamic times to the present, with a special emphasis on changes in women’s roles as individuals and as members of their society.
Recommended: Prior course work in SWAGS. Spring semester. Visiting Lecturer Kamali.
2023-24: Not offered(Offered as ENGL 451 and SWAG 368) In this course we will read Willa Cather's short fiction, essays, and novels with an eye to the role sexuality plays in her literary production. This course, aimed at juniors and seniors, is attentive to writing and speaking: there will be short papers, as well as a longer project that will be the subject of a class presentation.
Requisite: At least one course in gender and/or sexuality. Limited to 15 juniors and seniors. Spring semester. Professor Barale.
2023-24: Not offeredBefore the oft-reproduced social-media mechanism of the selfie, there existed (and still does) the artistic self-portrait. Utilized in the photographic realm to create a representation of the artist as both subject and object, self-portraits can be whimsical, grim, tantalizing, performative, or combative. In this course we will examine gendered constructions of self-portraiture photography existing in the contemporary realm. Specifically, our task will be to examine the registers of possibility present when women use their own bodies to claim visual space. Our goal during the semester will be to think through all of the mechanisms of the self that are deployed in the context of photographic practice. Some of the photographers we will examine include Carrie Mae Weems, Renee Cox, Francesca Woodman, María Magdalena Campos-Pons, Joy Gregory, Ana Mendieta, Miru Kim, Cindy Sherman, Nikki S. Lee, and Stacey Tyrell. Students will produce their own self-portraits, and write an analytical paper on a contemporary self-portraiture photographer.
Recommended: Prior course work in SWAGS. Limited to 18 students. Fall semester. Visiting Professor Brown.
2023-24: Not offeredThis seminar explores the AIDS and Ebola epidemics in the U.S. and globally, and the role of socio-economic, political and biological factors in the shaping of the epidemics. The course encourages students to think about AIDS, Ebola and other diseases politically, while remaining attentive to their bodily and health effects. We will engage with AIDS and Ebola on various scales, from the virus and immune cells to the transnational pharmaceutical industry, and from physical human contact to the political economies of health care. We will examine the racialization of the epidemics and study the processes by which some groups of people become more vulnerable to the epidemics than others. We will also explore the gender dimension of these epidemics, particularly the AIDS epidemic, from intimate sexual relations and power dynamics involved in negotiations over condom use, to global processes such as the feminization of poverty, the neoliberal economic restructuring of health systems, and the politics of scientific and medical research on AIDS. In addition, we will examine the role of social movements in responding to these epidemics.
Limited to 15 students. Omitted 2016-17. Professor Sadjadi.
2023-24: Not offered(Offered as SWAG 469, ASLC 452 [SA], and FAMS 322.) How do we define the word “feminism”? Can the term be used to define cinematic texts outside the Euro-American world? In this course we will study a range of issues that have been integral to feminist theory--the body, domesticity, same sex desire, gendered constructions of the nation, feminist utopias and dystopias--through a range of South Asian cinematic texts. Through our viewings and readings we will consider whether the term “feminist” can be applied to these texts, and we will experiment with new theoretical lenses for exploring these films. Films will range from Satyajit Ray’s classic masterpiece Charulata to Gurinder Chadha’s trendy diasporic film, Bend It Like Beckham. Attendance for screenings on Monday is compulsory.
Limited to 20 students. Omitted 2016-17. Professor Shandilya.
2023-24: Not offeredIndependent Reading Courses.
Fall and spring semester.
Other years: Offered in Fall 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021, Fall 2021, Spring 2022, Fall 2022, Spring 2023, Fall 2023, Fall 2024Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.
Spring semester.
Other years: Offered in Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025