This course introduces students to issues involved in the social and historical construction of gender identities and roles from a cross-cultural and interdisciplinary perspective. Topics, which change from year to year, have included gender and sexuality; the uses and limits of biology in explaining gender differences; women’s participation in production and reproduction; the intertwining of gender, race, nationality, and class in explaining oppression and resistance; women, men and globalization; and gender and warfare.
Limited to 25 students with 10 seats reserved for first-year students. Omitted 2023-24. Professor Peralta.
2023-24: Not offeredThis course introduces students to the interdisciplinary field of queer/trans studies through a diverse range of texts and media, both canonical and new. Queer/trans studies is less about individual identities or groups of people and more about questioning and unpacking categories and concepts -- such as heterosexuality, race, sex, and sexuality -- that have long been viewed as fixed, binary, or normative. We will explore the analytical power and limits of “queering” a range of topics from politics to the family to disability to the state. We will consider how trans studies has created new areas of scholarly inquiry, from an explosion of interest in trans history to a reconsideration of the relationship between women’s rights and gender liberation. Finally, we will explore the creative work, knowledge production, community building, and political advocacy efforts of queer/trans people in modern life with an emphasis on Black, Indigenous, Latinx, Asian, and Pacific Islander artists, writers, and activists who have historically been marginalized in the field of queer studies.
Two class meetings per week. Limited to 30 students. Spring semester. Professor Manion.
(Offered as BLST 117 [US] and SWAG 117) What role has “race” played in shaping the American imagination? How has its use as a metaphor in U.S. national life influenced our understandings of power, privilege, and justice? In what ways has popular culture influenced our understanding of race, and how do “creatives” today resist, reject, and reimagine racial and ethnic difference on social media? How do gender, sexuality, and other categories of difference intersect with race and ethnicity, and can these intersections give us a better understanding of American culture? In this course, we will examine contemporary racial discourse in the United States, surveying its use as a contested fact of social life by authors, artists, theorists, and activists in the twentieth and twenty-first century. By studying a range of creative and critical texts, including literature, poetry, music, art, film, comedy, cultural criticism, and social media, the course will prepare students to read racial discourse critically across genres and disciplines while also introducing them to the rigors of academic reading and writing.
Limited to 20 students. Spring semester. Professor Polk.
(Offered as HIST 162 [US/TC/TS] and SWAG 162) Sexuality is a product of history and culture. This course will survey sex throughout United States history in relation to the various discourses of power and difference that have given it meaning, such as class, ethnicity, gender, race, and religion. Topics covered include the legal and social history of marriage, sex education, sexuality and the family during and after slavery, masculinity and the Western frontier, sexology and the invention of homosexuality, the making of urban gay subcultures, feminism and sexual liberation, the politics of abortion, HIV/AIDS, the LGBT rights movement, and the transgender revolution. We will consider the ways in which the study of sexuality creates opportunities to re-think major themes in U.S. social, cultural, and political history, with emphasis on the history of medicine, the history of social change, and the history of the family.
Two class meetings per week. Limited to 30 students with 10 seats reserved for first-year students. Fall semester. Professor Manion.
Other years: Offered in Spring 2017, Spring 2019, Spring 2020, Fall 2023, Fall 2024This course provides an introduction to historical and contemporary intersectional and interdisciplinary feminist theory. We begin the course by first asking the questions: What is theory? Who gets to participate in theory building? How is feminist knowledge production influenced by power, privilege and geopolitics? We will explore the ways in which feminism is multi-vocal, non-linear, and influenced by multiple and shifting sites of feminist identities. This exploration includes the examination and analysis of local and global feminist thoughts on gender/sex, race, sexuality, disability, reproductive justice, colonialism, nationalism as they effect and shape social and economic forms of power and oppression. The emphasis of the course will remain focused on the theories produced by feminist, Black, queer, trans, indigenous, and transnational scholars, among others, to help explain and resist dominant or exploitative forms of power.
Recommended: SWAG 100 or another course on gender or sexuality. Limited to 25 students. Spring semester. Professor Karkazis.
Other years: Offered in Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025(Offered as ANTH 209, SOCI 207, and SWAG 209) This seminar uses feminist theory and methods to consider scientific practice and the production of scientific knowledge. We will explore how science reflects and reinforces social relations, positions, and hierarchies as well as whether and how scientific practice and knowledge might be made more accurate and socially beneficial. Central to this course is how assumptions about sex, gender and race have shaped what we have come to know as “true,” “natural,” and “fact.” We will explore interdisciplinary works on three main themes: feminist critiques of objectivity; the structure and meanings of natural variations, especially human differences; and challenges to familiar binaries (nature/culture, human/animal, female/male, etc).
Students who completed SWAG 108/ANTH 211 Feminist Science Studies in Fall 2019/20 will need to consult with Professor Karkazis prior to enrolling.
Limited to 20 students with 5 seats reserved for first-year students. Fall and spring semesters. Professor Karkazis.
Other years: Offered in Fall 2021, Fall 2022, Spring 2023, Fall 2023(Offered as HIST 252 [US/TE/TR/TS/C] and SWAG 252) What can we learn about MLK and Malcolm X and from Magneto and Professor X? What can we learn about gendered and racialized depictions within comic books? As a catalyst to encourage looking at history from different vantage points, we will put comic books in conversation with the history of race and empire in the United States. Sometimes we will read comic books as primary sources and products of a particular historical moment, and other times we will be reading them as powerful and yet imperfect critiques of imperialism and racial inequality in U.S. history. Besides comic books, this course uses a wide range of material including academic texts, traditional primary source documents, and multi-media sources.
Limited to 25 students. Omitted 2023-24. Professor Peralta.
2023-24: Not offered(Offered as BLST 257, SWAG 257, and THDA 257) This course provides an exploration of the African American and LGBTQ military experience during World War II. We will study WWII military theatrical performance, the racialized and gendered construction of “American” and military identities during this time, and racial segregation in the US military during WWII. We will deepen our understanding of this topic by looking closely at military servicemembers’ experiences such as the Black, queer, scholar-artist Owen Dodson who served in the Navy at Camp Robert Smalls, a segregated unit for Black sailors within Great Lakes Naval Training Center in Illinois. His provocative and strategic theatrical productions by and for Black soldiers were designed to bring together the Black community through performance that provided a space of resistance, beauty, and agency. Our work together in this course will draw on interviews and other first-person accounts, scholarly texts and theory, poetry, literature, music, playscripts, and archival documents such as personal and official military correspondence. Students will learn or further develop archival research methodologies, deepen critical reading skills across textual genres, and individually or collaboratively engage in research on a topic relevant to Black or LGBTQ military servicemembers' agency during World War II.
Limited to 20 students. Spring semester. Dr. Caldwell-O'Keefe.
What does it mean to be a “real man” in the contemporary United States? What impact does masculinity have on sports, pop culture, and health, for example? How do race and sexuality impact masculinity? These are just a few of the questions that we will begin considering in this course. Masculinity, like "whiteness," has long been an opaque social category, receiving scant attention as a focus of study in its own right. But within the past few decades social scientific scholarship on the cultural construction of masculinity and on men and masculinities as complex and changing symbolic categories are the subject of intense theorization. This was born in part from the recognition that early feminist and gender theory focused almost exclusively (and for obvious political reasons) on the position and experience of women. Men, except where they were situated as part of the problem (the abuser, the oppressor, the patriarch), were neither the object nor the subject of study. This course critically analyzes manhood and masculinity as socially constructed and ever-changing concepts deeply entangled with race, class, disability, and sexuality. We will interrogate how masculinities influence actions and self-perceptions as well as analyze how masculinity promotes hierarchies of power and privilege in groups, organizations, and institutions, such as education, work, religion, sports, family, media, and the military. We will investigate the origins and development of masculinity, its expressions, and its problematic manifestations (including hegemonic masculinity, violence, sexual assault, health outcomes, etc.). By the end of the course, students should have an understanding of the ways that masculinity has shaped the lives and choices of men and women, boys and girls and should also be able to identify and question the taken-for-granted aspects of masculinity.
Limited to 15 students. Omitted 2023-24. Professor Karkazis.
2023-24: Not offered(Offered as SWAG 279, BLST 302, and ENGL 279) What do we mean by “women’s fiction”? How do we understand women’s genres in different national contexts? This course examines topics in feminist thought such as marriage, sexuality, desire and the home in novels written by women writers from South Asia, Africa, and the Caribbean. We will draw on postcolonial literary theory, essays on transnational feminism, and historical studies to situate our analyses of these novels. Texts include Indian writer Meena Kandasamy's When I Hit You, Nigerian novelist Chimamanda Adichie's Purple Hibiscus, and Caribbean author Jean Rhys' Wide Sargasso Sea.
Spring semester. Professor Shandilya.
Other years: Offered in Fall 2015, Fall 2016, Spring 2019, Spring 2020, Spring 2023(Offered as BLST 301 [US] and SWAG 301) This interdisciplinary methods course explores the emergent field of Queer of Color Critique, a mode of analysis pioneered by LGBTQ people of color. Using theories and approaches from the discipline of performance studies, the explicit mission of the seminar is to acquaint students with the history, politics, art, and activism of queer and trans people of color while also strengthening student research skills in four overlapping areas: archival research, close-reading, performance analysis, and community engagement. Course activities include working in the Amherst College Frost Archives, the production of a performance piece, and structured engagement with contemporary LGBTQ activism in the Pioneer Valley and the larger world.
Requisite: BLST 236 / SWAG 235 Black Sexualities or similar 200-level gender and sexuality course or consent of the instructor. Not open to first-year students. Limited to 18 students. Spring semester. Professor Polk.
Other years: Offered in Spring 2019, Spring 2020(Offered as ASLC 321, FAMS 321, and SWAG 321) Bombay cinema, popularly known as “Bollywood Cinema,” is one of the largest film industries in the world. This course focuses on Bollywood cinema and its local and global offshoots to think about questions of gender, sexuality and agency. The course considers questions such as: What beauty standards are imposed on women in Bollywood and how do they connect to colonialism, race and empire? Do LGBTQ romances in Bollywood endorse homonormative narratives? How do we read the sexualization of the female body in song and dance numbers? Do women directors make more feminist films? Films range from the classic Umrao Jaan (1981) to the contemporary Gangubai Kathiwadi (2022), women dominated action-thrillers Kahaani (2012) and Raazi (2018), LGBTQ romances Kapoor and Sons and Aligarh (2016) among others.
Recommended: At least one course in FAMS or SWAGS. Spring semester. Professor Shandilya.
Other years: Offered in Fall 2012, Spring 2025(Offered as HIST 348 [US/TR/TS] and SWAG 348) This seminar will explore the intersections of gender, migration, and labor, with a particular focus on Asian American women in the United States (broadly defined to include the U.S.’s territories and military bases), from 1870 to the present. Through transnational and woman-of color feminist lenses, we will investigate U.S. colonial and neo-colonial formations which disrupt local economies, compelling women to migrate from their homes across national borders and then channeling them into limited employment opportunities in some of the most exploitative industries in the United States, including manufacturing, agricultural, and domestic work. Students will do close analysis of historical evidence, including written documents, images, film, and newspapers. There will also be intensive in-class discussion and varying forms of written work, which will culminate in a final research paper on a topic chosen by the student.
Recommended Prior Coursework: SWAG 100 or HIST/SWAG 158. Limited to 20 students. Omitted 2023-24. Professor Peralta.
2023-24: Not offered(Offered as ENGL 372 and SWAG 365) Do people the world over love in the same way, or does romance mean different things in different cultures? What happens when love violates social norms? Is the “romance” genre an escape from real-world conflicts or a resolution of them? This course analyzes romantic narratives from across the world through the lens of feminist theories of sexuality, marriage, and romance. We will read the heterosexual romance such as Jane Austen’s Pride and Prejudice and popular romance author Julia Quinn's Bridgerton series, alongside queer films like Bros and trans-romances like Torrey Peters' Detransition, Baby . We will also pay attention to the Western romantic-comedy film, the telenovela, and the Bollywood spectacular.
Limited to 20 students. Not open to first-year students. Fall semester. Professor Shandilya.
Other years: Offered in Fall 2019, Spring 2021, Spring 2023, Fall 2023(Offered as SWAG 400 and POSC 407) The topic will vary from year to year. This seminar explores when and how women and LGBTQ communities resist domination across racial, class, and national divides. We will examine varied and changing expressions of agency and modes of activism—through art, poetry, literature, cinema, and electoral politics. We will devote particular attention to how the growth of right-wing nationalisms globally influences the character of resistance. Which modes of protest challenge dominant narratives of the nation? What alternative imaginaries do they offer? What impact do they have on our feminist futures?
Limited to 25 students. Not open to first-year students. Fall semester. Professors Basu and Shandilya.
Other years: Offered in Fall 2017, Spring 2019, Spring 2020, Fall 2020, Spring 2022, Fall 2022, Fall 2023, Fall 2024(Offered as SWAG 453, ANTH 453, and SOCI-453) How have feminist and queer approaches shaped the questions, methods, and ethics of ethnographic research? This course highlights key questions and dominant paradigms of the field as well as emphasizing qualitative ethnographic research including interviewing and fieldwork. As such, we will engage the practical question of how to research, observe, describe, record, and present material about feminist and queer politics and activism.
Required: At least two courses dealing substantively with gender/sexuality. Open to junior and seniors; sophomores require permission from the professor; not open to first-year students. Limited to 20 students. Fall semester. Professor Karkazis.
Other years: Offered in Fall 2021, Fall 2023(Offered as SWAG 469, ASLC 469, and FAMS 322) How do we define the word “feminism”? Can the term be used to define cinematic texts outside the Euro-American world? In this course we will study a range of issues that have been integral to feminist theory—the body, domesticity, same sex desire, gendered constructions of the nation, feminist utopias and dystopias—through a range of South Asian cinematic texts. Through our viewings and readings we will consider whether the term “feminist” can be applied to these texts, and we will experiment with new theoretical lenses for exploring these films. Films will range from Satyajit Ray’s classic masterpiece Charulata to Gurinder Chadha’s trendy diasporic film, Bend It Like Beckham. Attendance for screenings on Monday is compulsory.
Limited to 20 students. Omitted 2023-24. Professor Shandilya
2023-24: Not offeredIndependent reading course.
Fall and spring semesters. The Department.
Other years: Offered in Fall 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021, Fall 2021, Spring 2022, Fall 2022, Spring 2023, Fall 2023, Fall 2024Open to senior majors in Sexuality, Women’s and Gender Studies who have received departmental approval.
Spring semester. The Department.
Other years: Offered in Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025