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Previous Lectures and Events
Writing the Stepmother Tongue: A Symposium on Translingual Literature
Latino Comic Book Author Jaime Hernandez of Love & Rockets Fame in Conversation with Frederick Luis Aldama and Ilan Stavans
Francisco Fernández de Alba, Wheaton College “1980s Madrid: the War on Drugs and the Transatlantic Conspiracy Theory”
Workshop “La perspectiva pragmática en la instrucción explícita” by Francisco Rosales Varo, of Columbia University
Argentinean novelist, poet and literary scholar, Florencia Abbate
"Formas de captación del presente en la Nueva Literatura Latinoamericana"
(English translation: "Grappling with the Present in New Latin American Literature").
Spanish Film Festival (sponsored by Pragda and the Spanish Ministry of Culture)
Raúl Zurita, Poetry reading by Chile's foremost poet
Gina Athena Ulysse - "Because when God it Too Busy: Haiti, me & THE WORLD"
War, Dictatorship, and Memory: An International Symposium on Spain (Amherst, Mt. Holyoke and UMass)
Elizabeth McAlister - "Music, Religion and the Haiti Earthquake"
Mariachi Los Camperos - "The Secret of the Mariachi"
Ana Cristina Maldonado '98 - "With John Lennon in Cuba: the Case of the Lost Glasses"
Martín Espada and Ilan Stavans - Twentieth-Century Latin American Poetry: Reading and Conversation
Pura López Colomé - Twentieth-Century Latin American Poetry: Reading and Conversation
Cristina Feijóo - "Una trilogía y 25 años de historia"
Roberto Brodsky - "Writing for Films on Dictatorship and Democracy in Chile"
Pedro Angel Rivera - "Revisiting the Puerto Rican Showcase"
Barbara Browning - "O Corpo Fechado: Healing Communities"
Doris Sommer - "Becoming Bogotá: A Program in Creative Civility"
Marjorie Agosin - Threads of Hope"
Alicia Alarcón - "I Write for Changes"
Yolanda Martínez San-Miguel - "Ambisexualidades: Toward a Queer Aesthetic in Contemporary Hispanic Caribbean Narrative"
Ruth Behar - "A Room Named Ruth on Bitterness Street and Other Tales of my Search of My Self and the Jews of Cuba"
Sidonie Smith - "Truth and Consequences: Ethnicity, Narration, and the Commodification of Suffering"