Deceased September 20, 2021

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In Memory

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Chauncey Howell '57
Reminiscences about Chauncey: How to capture the intense love of life and personality of an exceptional man? Chauncey and I were roommates our last two years at Amherst College, and he was best man at my wedding.

First, from college years: Chauncey and I laughed a lot. I was dating my future wife, Alison, and Chauncey gave us a pre-engagement present of a baby’s potty seat to use as a drink mixer, perfect given his off-beat personality. After a while, we converted it to a goldfish bowl, and our pet survived that whole senior year. Our third roommate was a delightful but unmitigated slob who invariably dropped his clothes on the floor when getting ready for bed. Chauncey was no athlete, but he developed a powerful drop kick to clear the floor, and the pile of dirty clothing remained under the roomie’s bed until he had nothing to wear, crawled under, and took everything to the laundry.

That year, Chauncey introduced me to a lifelong love for opera. Alison got a first job after college, working to help a legally blind teen, the granddaughter of former president Herbert Hoover, and teaching at Rosemary Hall School. Alison persuaded the Hoovers to rent the center box at the Saturday matinee of the Met Opera to enrich the education of the youngster, and Alison took her almost every week. There were eight seats, and there were never eight 15-year-olds who wanted to go, so I was able to repay Chauncey in spades. 

Shortly afterwards, Chauncey was drafted. He had majored in classics, but had never been to Europe, and spoke often of how eager he was to explore classical sites. But first, he was sent to Fort Jackson in South Carolina. He was eager to get through basic, since his mates mocked him for lying on his bed reading in Latin while they played cards, read pop magazines, and joked around. They thought he was from another world. 

At a certain point, the company officer said at roll call, “Who can read?” When, of course, no one volunteered, the lieutenant said, “Howell, you went to college. You’re the new company clerk.” Oh, the wonders of an Amherst degree! Then, basic training finished, and they shipped out to Germany. Chauncey wrote, “Finally, Europe.” Without Chauncey, the lieutenant’s reports were barely literate, and he was in hot water with the captain. Shortly, Chauncey got orders detaching him from the unit and ordering him back to Fort Jackson, where he spent the next two years, clerking away. 

When the Berlin Wall crisis occurred in 1961, President Kennedy issued a call for 150,000 soldiers. I almost volunteered, although I was in graduate school, but it became clear the military only wanted trained men. Chauncey was called up and sent back to Fort Jackson to write training reports for draftees for another year. No wonder he went to the Big Apple and began writing and interviewing for Women’s Wear Daily after completing his service. He had the gift of gab, and he talked his way into the job even though he was unsophisticated about food and travel. That started his career as a restaurant critic and Man About Town interviewer on New York media. 

My wife’s parents had fallen in love with Chauncey, and they invited him frequently for dinner to their home in New Canaan. He had acquired an old motorcycle, and he rode out on weekends. Chauncey, the esthete, riding up the Merritt Parkway on a motorcycle was as incongruous as you can imagine. 

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Chauncey Howell '57 - Boxing
About this time, in the early ’60s, Chauncy developed a lifelong interest in boxing. No golf, tennis or country club sports for him. He was a regular at sweaty boxing gyms in Manhattan and, as the years passed, he created his own gym, installed a heavy bag and a swing bag in the basement of the 1791 federal house in Easton, Pennsylvania, that he inherited from his parents. He did not enter the ring in matches against others, but he had many sparring partners over the next decades.

Meanwhile, Chauncey’s career on New York television continued to grow. He was not a newscaster or a journalist but an interviewer. He had a unique ability to relate to ordinary people, to get them to relax and enjoy themselves while being filmed. He interviewed the high and mighty, but he most enjoyed going out on the street and speaking with ordinary people. He was warm, had a flair for languages, and told funny, zany stories and anecdotes. He could schmooze in Yiddish, Italian, Spanish, and various New York dialects. He brought out the best in people, in a light-hearted, affectionate way. Before his pieces aired, Chauncey edited them, adding music and interjections. Every day, his Man About Town program appeared in the late afternoon on WABC or WNBC, and he was awarded five Emmys for his work.

For a sample of Chauncey’s TV interviews, search “Chauncey Howell on YouTube” on the Internet, where you will find more than a hundred vignettes of Chauncey’s work. My favorite is “The Osso Buco Song” conducted in an Italian restaurant in Queens with the owners and chef of a local trattoria. At one point, they all burst out in Italian into a fake operetta about veal shanks.

During all these years, I was a professor at Wellesley College and for eight years a State Department official in Washington. Alison and I saw him infrequently, but we remained close friends, despite our physical separation. Chauncey will be remembered by everyone in the class of 1957 for his humorous after-dinner remarks, which were always one of the highlights of all our class reunions. He was one-of-a-kind, a character, and unforgettable. Writing these notes has been a catharsis for me. Chauncey enriched my life, and I am deeply grateful for his friendship. 

Alan Schechter ’57

Comment:

Michael Sisk '57: I must have met Chauncey at the Freshman Orientation barbeque in August, 1953 but my first clear memory is from a Kirby gathering of theatre oriented students just after that. Chauncey was tall, good looking and possessed of a memorable name. His college persona was striking and very different from the public image he later created as a television personality which was so unforgettable to his many fans. But at eighteen, there was not a hint of his later celebrated cynical views, nor his impressive bulk. My mother fell in love with Chauncey at first sight.

We became fast friends in the Kirby casts of Marlow’s Doctor Faustus and Dennis Johnston’s Golden Cuckoo and I directed him in the Freshman Play and then in our classmate Bob Bagg’s fine poetic drama Soldier of the King when we were Sophomores and in my thesis production, Bernard Shaw’s Candida in our senior year. Chauncey, in those days, was the perfect Marchbanks, innocent and intelligently yearning opposite Betty Chancelor’s definitive Candida, Betty, the Anglo-Irish actress wife of Denis Johnston, then teaching at Mt Holyoke, had stared in London’s West End in several of Shaw’s plays and had counted the great playwright a friend. She had acted under the direction of John Gielgud opposite Orson Wells, James Mason and Alec Guinness so that playing against her was a real challenge for a young student as it was an alarming prospect for me as director. Betty was unfailingly kind and discreet in her advice and we both came away from the experience wiser in theatre and more self-assured in what was to be our future.

Chauncey joined with several student actors from Amherst, Harvard, Radcliff and Holyoke in the summer after graduation for the American College Theatre, a company we planned to tour Europe with two American plays, William’s Camino Real, directed by Bill Francisco (Amherst 55) and O’Neil’s Desire Under the Elms which I directed. President Cole and the trustees gave us Kirby Theatre for the summer along with dormitory lodging and, though lack of funds kept us from realizing the tour, we enjoyed a lovely summer of theatre.

I spent the next year teaching at Eastern Military Academy and then a year at the Sorbonne while Chauncey fulfilled his military duties at Fort Bragg in South Carolina. We met again in New York where Chauncey found a job at Women’s Wear Daily as a theatre and restaurant reviewer and I entered Union Theological Seminary. We joined the nascent off-off-Broadway theatre movement with a café production of Three Blind Men by the Flemish avant-garde playwright, Michel de Ghelderode, which was a minor success; sufficient that an English friend, like us, seeking an artistic career in New York, offered to produce it in a proper theatre. 

We chose Stage 73, a new off-Broadway theatre on the Upper East Side, and expanded the production with two other Ghelderode plays to make a full evening which we planned to open in November of 1963. The day of our dress rehearsal came the shocking news that President Kennedy had been shot in Dallas; in that bleak moment, we realized there would be no audience for theatre for the foreseeable future. A few days later, we managed a couple of performances before Liza Minnelli, whose New York debut had been scheduled just after us, took over the theatre. Our production was well reviewed and might have pushed both of us into New York theatre careers except for the tragedy of the assassination. 

Chauncey went on to a brilliant television career touching and enriching thousands and I founded a regional repertory theatre in Morristown New Jersey before moving to a life in Greece, France and Egypt. Whenever I returned to New York, Chauncey and I picked up as if there had been no absence. I last saw him just before the pandemic and we spoke by telephone in the first months of closures, both of us in places called Easton; he from his parental Pennsylvania home town and me from an adapted Eastern Shore village.

Our friendship was one of those anticipated by Amherst’s Senior Song for “all our whole lives through” as we moved to our different fields of promise but kept close in spirit and affection.  His loss greatly diminishes me and my youth dies with him. So, let us raise the rosy glass on high in thanks to Chauncey for a long, rich friendship and a life well lived. How I shall miss him!

68 years.