Adams is interested in majoring in sociology and perhaps statistics. Photo by Maria Stenzel.
My intersectionality as a Black woman adds the most to my life experiences and how I view the world today. Medusa is obviously based on the gorgon from Greek mythology. There are multiple versions of her story: one is that Medusa was raped by Poseidon and punished for that by Athena by having her hair turned to snakes. Another is that the sex was consensual and Medusa was cursed essentially for being sexually promiscuous. The final significant version says that she was raped and Athena gave her snake hair as protection from men. My piece was meant to be able to accompany any of those interpretations of Medusa’s story, but I made her Black to highlight the issues Black women face regarding sexuality and rape. I want my art to work as a voice for Black women as a glimpse into our lives, both the good and the bad. Since this is a predominantly white college, it’s important to me that the Black experience is represented and that it is being represented by the students themselves.
Dance and Step at Amherst College (DASAC) engages with and spotlights styles of dance rooted in Black American culture and the larger Black Diaspora. The club creates a space where Black styles of dance—like hip-hop, step, majorette and more—are not only highlighted but celebrated. Each semester, students choreograph their own original pieces and teach fellow students. Through this process, students learn about the Black history behind the styles of dance they’re practicing and find their own unique flair within them. This semester, we adapted to COVID restrictions and moved our in-person show online. We held socially distant in-person rehearsals for our 30 on-campus members and Zoom rehearsals for our four remote members. Dance is an art form that is accessible to everyone. This accessibility should not lead to a watering-down of the culture, however. By educating ourselves about the history of these dances and crediting the dancers and choreographers who popularized them, we as a club are better able to participate in, enjoy and celebrate these dance styles.
From left: Geneve, Gibson and Reed.
Jackson is a political science and computer science major currently interning at Apple. Photo by Maria Stenzel.
During the pandemic, I found that Amherst provided a full suite of Adobe tools. I requested an account and began to teach myself some of the tools. This art is an expression of my experience and identity of being Black in today’s America. It is a range of emotions, many good, many bad. But at the core of most of my work, I look to understand the connections between everything. Some of my favorite artists are Picasso, Yayoi Kusama, Van Gogh and Jean-Michel Basquiat.
Photo by Maria Stenzel.
The work is especially important to me because of the endless stream across our newsfeeds of Black people experiencing trauma and violence by law enforcement. I was interested in documenting moments of joy, stillness and intimacy to create an alternative reality to my newsfeed.
I’ve been shooting on film for the past four years, and I’ve fallen in love with the process of developing and creating images. My artistic practice is informed by the friendships, relationships and natural ecosystems that I interact with at any given moment. I am a biracial Black person at a predominantly white institution, and I’ve connected with other Black students who love being immersed in nature as much as I do. I wanted to document our experiences relaxing and exploring the outdoors. I consider each of our adventures sacred. The photo here is of my friend Ayo.
Professors Rhonda Cobham-Sander, Justin Kimball and Adam Levine have all informed my artistic practice. In Professor Cobham-Sander’s “Black (0n) Earth” class, I explored the present-day and historical relationships of Black people to the natural world. I took these photos for my “Art Can Help” class, taught by Professors Kimball and Levine. They gave me the feedback and support I needed to create the images that I had been imagining.
We call ourselves Black Tie, and we decided to sing together to highlight Black voices and artists. “Imagine Me” was one of our first arrangements during the pandemic. A couple of us were afforded the opportunity to arrange and perform songs by Black artists as part of an independent study with Professor Shayla Lawson for her book launch in New York City. Because of the pandemic, we were unable to travel to perform our arrangements, but we still gained a greater appreciation for and understanding of Black music through our participation in the course.
Black Tie includes Roberts (left), Awuah (middle) and Kee (right).
My work is entirely based on my identity. I am heavily invested in Black culture, and it shows through my artwork. I use symbolism or abstraction to reference the Black writers and musical/visual artists who inspire me. Most importantly, my art usually consists of self-portraits that illustrate my Black female mind, experience and features. Art, psychology, Black studies and sociology courses have provided me with the crucial material behind my artwork. Since my first-year seminar, “Art, Politics and Protest,” I have used course material to share a message of Black activism with the greater Amherst community.
We’re both from Trinidad and Tobago. Fun fact: Trinidad is so small our families knew each other well before we came to Amherst. Trinidad (the birthplace of the steelpan and calypso music) has always been a place filled with music. Since we both grew up in this environment and were part of families heavily connected to the music industry, we’ve always had a passion for music. Maya started singing in musical theater when she was 6, and Jonathan has been playing sax for nine years. We both have a special appreciation for Black American music.
Photo by Maria Stenzel.
My identity and my dance are inseparable. I move in a young Black woman’s body, and my existence alone is an act of defiance. Dance is the reclamation of my body’s autonomy, my body’s space and my body’s humanity. I come from a history of African women who found ways to live and breathe in their body. Utilizing my body to create art is paying homage to those women. I am because they were. Dance serves as a reminder of who I am. Dance is my therapy and my release. It conveys every emotion I hold in my body without me saying a word. In every way, my dance is Black, my dance is woman, my dance is me.
The show included a series of seven works by Duncan.
Outside of literally using myself as a reference for my work and thus my work reflecting my skin tone and other physical features, I also draw from and am inspired by my cultural roots, and I feel as though I’m relating to a history that is my own. I’ve taken a couple of art classes at Amherst, but most of the art I’ve loved making has come from work I made outside of class. However, classes provided me with new materials and mediums and forced me to work with things I wasn’t entirely comfortable with, which has helped me to grow.
Photo of EveAngelista De Muheto by Maria Stenzel.
EveAngelista and Melody emceed the 2021 BAM festival live from the Mead's Rotherwas Room. EveAngelista is a Political Science and Spanish major from New York City while Melody is a Law, Jurisprudence, & Social Thought (LJST) major with an International Relations Certificate from Accra, Ghana.
Photo of Melody Naa Densua DoDoo by Maria Stenzel.