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DTSTART:20240310T070000
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DTSTART:20231105T060000
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BEGIN:VEVENT
UID:event.909198.www.amherst.edu
DTSTART;TZID=America/New_York:20240418T180000
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;TZID=America/New_York:20240418T183000
LOCATION:Mead Art Museum
SUMMARY:Deep Dive in \"Tropical Is Political\" 
CLASS:PUBLIC
DESCRIPTION:Join the Mead's Student Museum Educators for close-looking and\
 ndiscussion about one artwork from the exhibition _Tropical Is\nPolitical:
  Caribbean Art Under the Visitor Economy Regime_. In\naddition to discussi
 on\, there may be sketching and interactive writing\nprompts. Each Deep Di
 ve features a different artwork. \n\nFREE + Open to All Ages. Materials P
 rovided. \n
DTSTAMP:20240416T074053Z
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BEGIN:VEVENT
UID:event.909410.www.amherst.edu
DTSTART;TZID=America/New_York:20240423T180000
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;TZID=America/New_York:20240423T190000
LOCATION:Stirn Auditorium\, Mead Art Museum
SUMMARY:Alicia Grullón in conversation with Elizabeth Ferrer
CLASS:PUBLIC
DESCRIPTION:Artist Alicia Grullón speaks with art historian and curator El
 izabeth\nFerrer in connection with Grullón's current solo exhibition at t
 he\nMead\,_ Like a Slow Walk with Trees_. Reflecting research on recent\np
 rotests in a range of industries\, such as mining\, shipping\, and\nentert
 ainment\, Grullón poetically knits together the direct language\noften us
 ed in protests with other references that layer and complicate\nassociatio
 ns while addressing current issues. \n\nALICIA GRULLÓN uses performance 
 and self-portrait (re)composing\npopular histories as a critique on the po
 litics of presence- an\nargument for the inclusion of marginalized communi
 ties in political\nand social spheres. Grullón has participated in exhibi
 tions including\nThe 8th Floor\; Bronx Museum of the Arts\; BRIC House for
  Arts and\nMedia\; El Museo del Barrio\; and Columbia University\, and has
  been\nhonored with a number of fellowships and residencies.\n\nELIZABETH 
 FERRER is a curator and writer specializing in Latinx and\nMexican art and
  photography. She is the author of the critically\nacclaimed _Latinx Photo
 graphy in the United States: A Visual History\n_(University of Washington 
 Press\, 2021)\, as well as of the\nforthcoming book\, _Louis Carlos Berna
 l: Retrospectiva _(Aperture).\nThe book will accompany a major retrospecti
 ve on Bernal's work that\nshe is curating.\n
DTSTAMP:20240416T074053Z
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