Dimensionism: Modern Art in the Age of Einstein is a groundbreaking exhibition that explores how modern art was influenced by advances in science, from Einstein’s Theory of Relativity to newly powerful microscopic and telescopic lenses. A first-of-its-kind touring exhibition, Dimensionism is organized by the Mead Art Museum at Amherst College. It opens at the Berkeley Art Museum and Pacific Film Archive from November 7, 2018–March 3, 2019, then travels to the Mead from March 28, 2019–June 28, 2019. The exhibition features approximately 70 artworks and is accompanied by an illustrated exhibition catalogue published by MIT Press.
The exhibition is inspired by the 1936 “Dimensionist Manifesto,” which declared that artists should respond to the scientific advances happening around them. Under the leadership of Hungarian poet Charles Sirató, an international group of artists endorsed the Manifesto, which exhorted artists to use their art to explore the new physical realities and philosophical queries of their day. The Manifesto’s collection of signatures represents some of today’s best-known modern artists, including Hans Arp, Alexander Calder, Marcel Duchamp, Robert Delaunay, Sonia Delaunay, Wassily Kandinsky, László Moholy-Nagy, Francis Picabia, and Sophie Taeuber-Arp.
The exhibition also includes others who engaged with these ideas in their art, such as Joseph Cornell, Naum Gabo, Helen Lundeberg, Herbert Matter, Isamu Noguchi, Wolfgang Paalen, and Dorothea Tanning. Their works reflect the drive of many modern artists throughout Europe and America to discover a new vision for human existence and expression in an era that redefined fundamental realities such as time and space. By tracing a transnational flow of information and ideas, Dimensionism contextualizes modern art within the scientific revolution, and in doing so introduces new narratives on influential mid-century artists and the modern art scene more generally.