ProjectConnect is a peer-led initiative to help build social connection and community on campus. Drop by the weekly ProjectConnect lunch Thursdays from 1-2 p.m. at the Val community table in the front room to meet the peer facilitators and learn more about it, or to get to know students who've been through the program. Sponsored by the Wellness Team and the Office of Diversity and Inclusion.
The story of jazz has often been upheld in terms of cultural triumph, as a transcendent response to African-American struggle. Jazz is also presented as a story of succession, a chain of creative genius passing from one "Great Man" to the next. These are persuasive frameworks that define the artform by a canon and a fixed set of values, inscribing a kind of perimeter.
In this multimedia presentation, which draws from the first chapter of Playing Changes: Jazz For the New Century (Pantheon, 2018), Chinen will address the rise of a conservation agenda in the jazz culture of the 1970s and '80s, and the stubbornly powerful trope of a jazz messiah, which now exists in a different form.
Nate Chinen was born in Honolulu, to a musical family: he grew up around the local Musicians Union, as his parents were popular nightclub entertainers. He began writing about jazz in 1996 for the Philadelphia City Paper, and has now authored content for several national music publications, including DownBeat, Blender and Vibe. Chinen spent about 12 years working as a jazz and pop critic for The New York Times and wrote monthly columns for JazzTimes. He is a 10-time winner of the Helen Dance-Robert Palmer Award for Excellence in Writing, presented by the Jazz Journalists Association. The same organization presented him with its award for Best Book About Jazz, for his work on Myself Among Others, the autobiography of impresario George Wein. Chinen is currently working as director of editorial content at WBGO, while still closely engaging with programs like Jazz Night in America, The Checkout and a range of jazz programming on NPR.
This event is co-sponsored by the Department of Music, the Corliss Lamont Lectureship for a Peaceful World and the Georges Lurcy Lecture Series at Amherst. This event is free and open to the public.
For more music department events, see our department calendar at https://www.amherst.edu/academiclife/departments/music/events.
Photo by Michael Lionstar
Five College Dance, in collaboration with the Amherst College Department of Theater and Dance, presents SPRING, an evening of dance featuring contributions from faculty, guest artists and dancers across all five campuses, including Camille A. Brown’s New Second Line, Five College Dance’s 2018-19 guest artist repertory project, made possible with a grant from the National Endowment for the Arts. This dance is a celebration of the spirit and culture of the people of New Orleans.
The concert also features Picture This, a new work by critically acclaimed choreographer David Dorfman. Picture This is a kinetic, visual, musical and textual homage to the next generation of dance citizens-- a brief look at what makes these fine performers both joyous and angry in regard to love and politics.
Dances by Danté Brown (visiting assistant professor, Amherst College), Lailye Weidman (visiting assistant professor, Hampshire College) and Barbie Diewald (visiting artist, Mount Holyoke College), as well as a lobby installation by Rodger Blum (professor, Smith College), complete the program.
Tickets are free, but reservations are recommended: (413) 542-2277 or firstname.lastname@example.org
"Every year, Max, a successful restaurant owner, and Véro, his eco-friendly wife, invite a merry group of friends to their beautiful beach house to celebrate Antoine's birthday and kick-start the vacation. But, this year, before they all leave Paris, their buddy Ludo is hurt in a serious accident, which sets off a dramatic chain of reactions and emotional responses. The eagerly anticipated vacation leads each of the protagonists to raise the little veils that for years they have draped over what bothers and upsets them. Pretenses become increasingly hard to keep up. Until the moment when the truth finally catches up with them all..."