On October 18 (9 a.m.-7 p.m.) and October 19 (9 a.m.-2 p.m.), the Peer Advocates of Sexual Respect will be displaying the Five College Clothesline Project on the Valentine Quad. (Content Warning: Sexual Violence).
The Five College Clothesline Project is an opportunity to break the silence about sexual violence by providing space for people to create shirts that give voice to personal experiences. The shirts are then hung shoulder to shoulder on a clothesline for public viewing. The goals of the project are:
· To bear witness to victims and survivors of violence.
· To aid and support in the healing process of those who have lost a loved one or who have themselves been victims/survivors of violence.
· To break the silence and unite people in a demonstration of solidarity against physical, verbal, sexual and psychological abuse.
The Five College Project has over 800 shirts that have been created by survivors, as well as friends and family members of survivors. We embrace the clothesline as a healing and emotional tool for people of all genders. We recognize this project can be a crucial and much needed part of an individual healing process.
We also recognize that seeing the Clothesline can be difficult, if you want to avoid the Clothesline Project display we encourage people to use the Route 9 entrance of Valentine. We will also hang shirts so only the blank side is facing the entrance to Morrow Residence Hall and the Morrow path will remain clear.
Please stop by and greet the Peer Advocates tables in front of Val. The self-care table will have self care tips and giveaways. We will also have a table with lots of information on how you can start thinking and doing things to change the culture and to create a safer more respectful community. Add to our wall by sharing the one thing you will do to help us change the culture to end sexual violence.
Dorothy Wong will introduce and discuss her new book Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, Ca. 645-770. This event is free and open to the public, and all with an interest in the Buddhist arts of Asia are welcome to attend.
The period ca. 645–770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century. For brief periods, the imperial cities of the Tang and Nara courts—Chang’an, Luoyang and Heijōkyō (present-day Nara)—became transformed into capitals of Buddhist empires. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of the religio-political ideals of state Buddhism, its visual language, and attendant rituals and practices. As this visual style of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.
Tanya Marie Luhrmann is the 2018 Willis Wood Lecturer for the Amherst College Department of Religion. She is the Watkins University Professor at Stanford University in the Department of Anthropology. Her work focuses on the edge of experience: on voices, visions, the world of the supernatural and the world of psychosis. She has done ethnography on the streets of Chicago with homeless and psychotic women, and worked with people who hear voices in Chennai, Accra and the South Bay. She has also done fieldwork with evangelical Christians who seek to hear God speak back, with Zoroastrians who set out to create a more mystical faith, and with people who practice magic. She uses a combination of ethnographic and experimental methods to understand the phenomenology of unusual sensory experiences, the way they are shaped by ideas about minds and persons, and what we can learn from this social shaping that can help us to help those whose voices are distressing.
Luhrmann was elected to the American Academy of Arts and Sciences in 2003 and received a John Guggenheim Fellowship award in 2007. When God Talks Back was named a New York Times Notable Book of the Year and a Kirkus Reviews Best Book of the Year. It was awarded the $100,000 Grawemeyer Prize for Religion by the University of Louisville. She has published over thirty op-eds in The New York Times, and her work has been featured in The New Yorker, The New York Review of Books, The Times Literary Supplement, Science News and many other publications. Her new book, Our Most Troubling Madness: Schizophrenia and Culture, was published by the University of California Press in October 2016.
This talk makes the argument that the way we think about our minds matters, and may shape the phenomenology of our mental events. It makes the case that different practices of attending to mental events have identifiable phenomenological consequences; and that different cultures and different theologies emphasize mind and mental process in distinctive ways. The way that people map the territory of the mind works as a kind of practice of attention: with practiced attention and cultural invitation, Christians report that some kinds of events come to feel more “external”—they develop more confidence that God has spoken, and they report a more sensory quality to the voice. The data suggest that one consequence of culturally different ways of representing mind and mental experience is that Americans have a harsher experience of psychosis, and less spiritual experience.
The talk is open to the public.