Torsten Klengel, M.D., Ph.D., assistant professor of psychiatry at Harvard Medical School and director of the Translational Molecular Genomics Laboratory at McLean Hospital, will speak on “Translational Research in Psychiatry from Humans to Monkeys and Back.”
Abstract: Genetic and environmental factors profoundly influence the risk to develop psychiatric disorders. A number of large clinical studies provide evidence for the long-term effects of early life stress on disease trajectories across the lifespan and even across generations. My talk will focus on the concept of gene-environment interaction and how the environment influences epigenetic cellular programming with a focus on HPA axis function. I will introduce the concept of inter- and transgenerational effects of environmental exposure and how nonhuman primate studies can bridge a translational gap between studies in rodents and clinical studies in humans.
Refreshments will be served.
Chon A. Noriega is professor of cinema and media studies and director of the Chicano Studies Research Center, both at UCLA, and consulting curator at the Los Angeles County Museum of Art (LACMA). He has published on media, performance and the visual arts. Noriega has curated or co-curated numerous exhibitions, including Home—So Different, So Appealing (2017-18), Asco and Friends: Exiled Portraits (2014), L.A. Xicano (2011-12) and Phantom Sightings: Art After the Chicano Movement (2008-10). He is currently completing a book on artist Raphael Montañez Ortiz (b. 1934) and an oral history project on Daniel Joseph Martinez (b. 1957).
Noriega describes the subject of his lecture as follows: “I remember walking through the WACK!: Art and the Feminist Revolution exhibition with Barbara Hammer in spring 2007. She had insisted that the curators show her films in the museum galleries and play them on a loop, not exile them to a side theater where they would be shown on a schedule. But letting her speak during the walkthrough was another matter. So Barbara grabbed the microphone and stood by her work: ‘Film is an art form,’ she began. Today, media installations and even two-dimensional media works like Barbara’s are quite common in contemporary art exhibitions. This talk is not so much about the aesthetic status of film/video in the gallery space—one dealt with quite well by Kate Mondloch and Catherine Elwes—as it is about the curatorial frameworks that render certain artists and artworks as ‘orphans of modernism’ or ‘ghosts of modernity.’ I will draw on my own experiences as a curator and art historian who was trained in cinema and media studies.”
A reception will follow.
Professor Andrea Frisch from the University of Maryland, College Park, and Leibniz Universität Hannover will give the biennial lecture in honor of Professor Jay L. Caplan. Her talk, “The Histoire Mémorable Between News and History: Framing Accounts of Current Events in the French Wars of Religion,” will address the ways in which current or very recent events were packaged generically in the turbulent context of the French Wars of Religion.
“At the center of my investigation is the histoire mémorable, since in 16th-century France – in contrast to her European neighbors – some form of this label was regularly applied to accounts of current events. As a generic indicator, the category is deeply ambiguous: On the one hand, the term 'mémorable' implied a shared inheritance of consensually venerated material that one had a duty to remember, and that was traditionally associated with History; on the other, in the glut of printed matter in the age of confessional conflict, the epithet 'mémorable' was repeatedly attached to material that was recent, undigested and frequently contentious, characteristics more typical of what was coming to be known as news. Ultimately, the histoire mémorable was the terrain upon which personal, polemical, pamphlet-style accounts could make a bid for entry into the long-term, capital-H historical record.”
This event is free and open to the public. A reception will follow.
This event is co-sponsored by the Georges Lurcy Lecture Series at Amherst, the Amherst College Department of French and the Turgeon Fund.
The Arts at Amherst Initiative’s Spring Soirée gives arts faculty and staff members a chance to socialize over drinks and food at the Bailey Brown House. As part of the Soirée, Emily Potter-Ndiaye, Dwight and Kirsten Poler & Andrew W. Mellon Head of Education and Curator of Academic Programs at the Mead Art Museum, and Bradford Garvey, Joseph E. and Grace W. Valentine Visiting Assistant Professor of Music at Amherst College, will give short presentations on their recent work. Food and drinks will be provided!
This event is open to all faculty and staff!
The world of education is changing rapidly. Educators must now face a variety of new challenges in this digital age. As aspiring teachers and academic leaders, we should never forget that strong, successful teaching and leadership happens when we keep humanity at the center of the conversation. Join Cyndy to learn about leadership, the value of finding wise and supportive mentors, and the nature of education in modern schools.
Cyndy Jean ‘07 is in her fifth year as the Director of the Middle School at Hackley School in Tarrytown, NY. She began her career at Hackley thirteen years ago as an assistant teacher in second grade. She then taught in the English Department and has coached field hockey throughout her tenure. Cyndy holds a master’s degree in Private School Leadership from Teachers College, Columbia University and a second master’s degree in Teaching and Special Education in Grades 1-6 from Fordham University. She is currently a Fellow in the National Association of Independent Schools’ Aspiring Heads Program, serves on the Fairchester Alliance for hiring and retaining faculty of color, and sits on the Board of Trustees for the Tree of Life Orphanage, a non-profit organization serving and educating over 200 children in Source Matelas, Haiti.
At age 12, Freeman Hrabowski marched with Martin Luther King. Now he is president of the University of Maryland, Baltimore County (UMBC), where he works to create an environment that helps under-represented students—specifically African-American, Latino and low-income learners—get degrees in math and science. His TED Talk on the four pillars of college success has been viewed over 1 million times.
He will be visiting Amherst College March 5-6 and will present a keynote lecture about his new book The Empowered University: Shared Leadership, Culture Change, and Academic Success. The book probes the way senior leaders, administrators, staff, faculty and students facilitate academic success by cultivating an empowering institutional culture and broad leadership for innovation. They examine how shared leadership enables an empowered campus to tackle tough issues by taking a hard look in the mirror, noting strengths and weaknesses while assessing opportunities and challenges.
This event is free and open to the public.
75 Dollar Bill was formed in 2012 in New York City by percussionist Rick Brown and guitarist Che Chen. Played on a deeply resonant plywood crate, Brown’s earthy, elemental rhythms are both the foundation and the foil for Chen’s ecstatic, modal guitar style. The duo’s electric, richly patterned music can shape-shift from joyful dance tunes to slowly changing trance minimalism, an uncategorizable hybrid which draws on the modal traditions of West Africa, India and the Middle East, early electric blues, Sun Ra’s space chords and the minimalist and No Wave histories of their hometown. While Brown and Chen are always at the band’s core, the duo frequently expands into other configurations live and on record, from trio to 25-piece marching band.
Selected Video Works presents four videos by Mariah Garnett made between 2010 and 2014. These works represent the early cornerstones of her experimental documentary practice. In all four films, the relationship between subject and filmmaker is foregrounded, calling into question the power dynamics at play in representational art practices.
“Garbage, The City, And Death” uses a Fassbinder text to reframe a real-life relationship between long-lost siblings as a romantic rivalry. It was Garnett’s first attempt to mix theatricality with a real relationship between herself and her subject.
“Picaresques” takes its inspiration from Lieutenant Nun, the autobiography of a transgender conquistador at the turn of the 17th century as its inspiration and abruptly becomes a portrait of Garnett’s own friendship with a 9-year-old tomboy from Santa Monica. It is an attempt to look to the past and future for heroes of a similar gender to the artist’s own.
“Encounters I May or May Not Have Had with Peter Berlin” moves through phases of idolization, anxiety ending in a touchdown in reality in a conversation between the artist and Berlin himself. This is the first film in which Garnett used impersonation as a strategy for representing her subject.
Finally, “Full Burn” marks a shift in Garnett’s practice away from overtly queer themes to the geopolitical. It is a portrait of four U.S. war veterans who have continued to use their own physicality to earn a living, three as stunt men and one as a massage therapist. It is a meditation on masculine duty, trauma and re-enactment.
Mariah Garnett is an artist and filmmaker who lives and works in Los Angeles. She holds a B.A. in American civilization and an M.F.A. from California Institute of the Arts in film/video. In 2019 she was awarded a Guggenheim Fellowship in Film/Video for her feature film, Trouble, which premiered at the London Film Festival and was named one of the best documentaries of the year by Sight + Sound. Her work has screened and been exhibited internationally at venues including The New Museum, The Hammer Museum, Tate Belfast, REDCAT, SFMoMA and her exhibiting gallery, Commonwealth + Council. She is a MacDowell Fellow, and her work has been featured in Bomb, Artforum and Reverse Shot.