What is contemporary about contemporary art? Join David Little, the John Wieland 1958 Mead Director and Chief Curator, in a participatory discussion of this question based on close examination of the works on view. Audiences will explore how artists borrow from pop culture, use new materials, and apply new conceptual approaches to addressing pressing issues in art and society.
Free and open to all!
Eric Sawyer, of Amherst College’s music faculty, has composed an album of popular songs. Or are they?
Sawyer, the composer of three operas and a range of instrumental and vocal music, introduces and performs this new album that draws on a range of popular forms, raising the questions: What does the classical tradition have to offer popular song, and vice versa? And what, if anything, is the distinction between art song and pop song?
A wine and tapas reception will follow. Childcare will be provided.
The arrival of Europeans to the Americas brought about a complex process of ethnocultural and racialized intermixture, which has come to be known as mestizaje. This session explores the intersection of racial, cultural and religious markers as contributing factors to the formation of colonial societies. It explores how these three markers helped create and shape the racialized ideology and logic of mestizaje as a divinely inspired foundational mechanism for the whitening of the population of these societies.
Dr. Néstor Medina is a Guatemalan-Canadian Scholar and assistant professor of religious ethics and culture at Emmanuel College of Victoria University in the University of Toronto. He received his Ph.D. from University of St. Michael's College, University of Toronto. He was the recipient of a First Book Grant for Minority Scholars (2014) and a Project Grant for Researchers (2018) from the Louisville Institute. He studies the intersection between people’s cultures, histories, ethnoracial relations and forms of knowledge. Among his numerous articles and publications, he is the author of Mestizaje: (Re)Mapping "Race," Culture, and Faith in Latina/o Catholicism (Orbis, 2009), a booklet On the Doctrine of Discovery (CCC, 2017) and his recent Christianity, Empire and the Spirit (Brill 2018).
The public is welcome!
Do Things to Images presents for the first time a selection of photographs from 2014 to 2019 by the artist Odette England. It includes images from her newest series Love Notes.
England’s parents’ former dairy farm, and the archive of snapshots her family made there, serve as raw material for England’s practice. Many of her photographs are unique pieces. By mixing preciousness with low-fi, unrepeatable processes, England highlights the infidelity of memory.
This exhibition includes prints from negatives that England buried and then dug up, and hand-torn paper prints. It features pages ripped from family photo albums, and vintage snapshots that have been hole-punched, among other works. Her need to cut, crop, sand, fold and otherwise manipulate photographs is in contrast to the French meaning of her name, Odette, “Lover of Home.”
Join Odette England for a lecture and the opening of her exhibition on Thursday, Sept. 19, at 4:30 p.m. in Pruyne Lecture Hall, 115 Fayerweather.