The M@A 2019-2020 Series begins with a Parallels Series concert, presenting Luciana Souza: “The Book of Longing,” featuring Chico Pinheiro and Scott Colle. Tickets are required.
Luciana Souza is a Grammy-nominated jazz singer and composer best known for thoughtful takes on her native Brazilian songs. In “The Book of Longing,” she explores saudade, or yearning, through poetry by Leonard Cohen, Edna St. Vincent Millay, Emily Dickinson, and Souza in her own arrangements. She is joined by guitarist Chico Pinheiro and bassist Scott Colley.
“[Luciana Souza is] a New Yorker from Brazil whose singing bridges with breathtaking finesse the not-so- wide gap between Brazilian pop and American jazz. Souza’s voice is low, soft and as agile as an otter in water, and it is a sensual pleasure to hear her sing in Portuguese, that most liquid and supple of languages. How marvelous that a singer unknown to me a month ago should now be one of my favorites!” —The Washington Post
The box office for this performance opens on September 6, 2019. Ticket prices are $18 for the general public, $12 for senior citizens and $10 for students with valid ID. FREE Amherst College student rush tickets are available at the door beginning at 7 PM on the day of the show.
For a complete listing of upcoming Amherst College Department of Music events, please visit us at:
Learning to navigate Frost Library can set you up to take on all your academic missions this year. Get on the right track: take the self-directed Mammoths in (Library) Space Tour! To begin the tour, go to the welcome station across from Frost’s circulation desk. Complete the tour and get a gift card to Frost Café plus a chance to win our grand prize!
Do Things to Images presents for the first time a selection of photographs from 2014 to 2019 by the artist Odette England. It includes images from her newest series Love Notes.
England’s parents’ former dairy farm, and the archive of snapshots her family made there, serve as raw material for England’s practice. Many of her photographs are unique pieces. By mixing preciousness with low-fi, unrepeatable processes, England highlights the infidelity of memory.
This exhibition includes prints from negatives that England buried and then dug up, and hand-torn paper prints. It features pages ripped from family photo albums, and vintage snapshots that have been hole-punched, among other works. Her need to cut, crop, sand, fold and otherwise manipulate photographs is in contrast to the French meaning of her name, Odette, “Lover of Home.”
Join Odette England for a lecture and the opening of her exhibition on Thursday, Sept. 19, at 4:30 p.m. in Pruyne Lecture Hall, 115 Fayerweather.