What is contemporary about contemporary art? Join David Little, the John Wieland 1958 Mead Director and Chief Curator, in a participatory discussion of this question based on close examination of the works on view. Audiences will explore how artists borrow from pop culture, use new materials, and apply new conceptual approaches to addressing pressing issues in art and society.
Free and open to all!
Eric Sawyer, of Amherst College’s music faculty, has composed an album of popular songs. Or are they?
Sawyer, the composer of three operas and a range of instrumental and vocal music, introduces and performs this new album that draws on a range of popular forms, raising the questions: What does the classical tradition have to offer popular song, and vice versa? And what, if anything, is the distinction between art song and pop song?
A wine and tapas reception will follow. Childcare will be provided.
This introductory meeting is a great chance to learn more about AWIS and our goals on campus, as well as to meet members of our organization. AWIS members will discuss upcoming events this semester and we will have an informal panel of students representing various STEM disciplines share their experiences. Donuts will also be provided. Feel free to come as long as you're able; we'd love to see you there!
*Note that this event is open to all regardless of gender.
The Amherst College Queer and Trans People of Color Affinity Space centers students from Amherst College and within the Five Colleges who identify as queer/trans/genderqueer people of color. Presented by the QRC and MRC.
Staff and faculty who identify with the QTPOC community are welcome to attend!
Dinner will be served on: 09/25*, 10/23*, 11/20* (in the QRC)
Just discussion will be hosted on: 10/09, 11/06, 12/04 (in the MRC)
Do Things to Images presents for the first time a selection of photographs from 2014 to 2019 by the artist Odette England. It includes images from her newest series Love Notes.
England’s parents’ former dairy farm, and the archive of snapshots her family made there, serve as raw material for England’s practice. Many of her photographs are unique pieces. By mixing preciousness with low-fi, unrepeatable processes, England highlights the infidelity of memory.
This exhibition includes prints from negatives that England buried and then dug up, and hand-torn paper prints. It features pages ripped from family photo albums, and vintage snapshots that have been hole-punched, among other works. Her need to cut, crop, sand, fold and otherwise manipulate photographs is in contrast to the French meaning of her name, Odette, “Lover of Home.”
Join Odette England for a lecture and the opening of her exhibition on Thursday, Sept. 19, at 4:30 p.m. in Pruyne Lecture Hall, 115 Fayerweather.