Visit the Mezzanine Gallery in Frost Library to view Between the Imagined and Seen: The Hand-Pulled Prints of Betsey Garand and Microscope Images of Caroline Goutte, on exhibit from March 4 to Aug. 30. This exhibition is sponsored by the Arts at Amherst Initiative
Professor Caroline Goutte is chair of the Department of Biology and a member of the Program in Biochemistry and Biophysics at Amherst College. Betsey Garand is senior resident artist in the Department of Art and the History of Art at Amherst College.
Board of Trustees Distinguished Professor of Molecular Biology and Biophysics
UConn Health, Farmington, Conn.
Title: "Bacterial Spores: Still Surprises After All These Years"
"Dr. Setlow’s research over the past ~50 years has focused on spore formers of various Bacillus species, concentrating on the mechanisms of the formation, resistance, killing and germination of the spores of these organisms, as well as their biochemical properties, and he has published over 500 research papers on these topics, including definitive studies on the mechanism of spore resistance to 254 nm UV radiation. Dr. Setlow’s research work has utilized techniques from many disciplines, including: 1) microbial physiology; 2) molecular genetics; 3) molecular biology; 4) classical genetics; 5) light, fluorescence and electron microscopy; 6) enzyme purification and characterization; 7) spectroscopy of single cells; 8) small molecule analysis; 9) structural biology; and recently 10) transcriptomics."
Marisol LeBrón is an assistant professor in the Department of Mexican American and Latina/o Studies at the University of Texas at Austin. An interdisciplinary scholar working across American studies, Latinx studies and feminist studies, she researches and teaches on social inequality, policing, violence and protest movements in Puerto Rico and U.S. communities of color. She is the author of Policing Life and Death: Race, Violence and Resistance in Puerto Rico (University of California Press, 2019), which examines the growth of punitive governance in contemporary Puerto Rico.
"Loíza, a low-income and predominantly Afro-Puerto Rican town and municipality just outside of the capital city of San Juan, has long been plagued by racist and violent policing practices. The siege-like conditions that police created in many of Loíza’s public housing complexes and neighborhoods have done little to stem high rates of violence and crime in the area, and, to the contrary, have directly contributed to the general sense of insecurity that many residents feel. Tired of seeing how both police violence and gang violence were creating harm and death in the community, Taller Salud, a feminist public health organization based in Loíza, decided to take action. In this talk, I look at Taller Salud’s program Acuerdo de Paz, which has worked to develop systems of community accountability and mediation as a way of working outside of the punitive structures that tend to exacerbate violence and insecurity in Loíza. I position Taller Salud’s Acuerdo de Paz initiative as just one example of a growing movement in Puerto Rico that is rejecting punitive governance and trying to create alternative visions of justice that do not rely on the intensification of conditions of vulnerability for already marginalized communities."
Professor Takashi Ito, professor of faculty of sociology from Doshisha University, has come to Amherst to speak about the current state of Japanese politics from the perspectives of journalism and prevailing public discourse in Japan. He will touch on topics such as the political situation in Japan today, political language and concepts in confusion, and public discourse and media coverage of politics in Japan today.
Join us for a welcome from Michael Kunichika, director of the Amherst Center for Russian Culture, followed by remarks from David Little, director and chief curator of the Mead Art Museum, and remarks from Galina Mardilovich, acting curator of Russian and European art at the Mead.
The word collage comes from the French verb coller, which means “to paste, stick, glue.” In practice, it is a technique that involves the physical layering of disparate elements. It originated as an art form when the Cubists and Futurists experimented with the surface of the picture plane in the early 1910s. Collage’s capacity for combining, fragmenting and disrupting meaning has since rendered it an inexhaustible medium, emblematic of the fast-paced modern world.
Paste, Stick, Glue: Constructing Collage in Russia offers a historical overview of the many ways in which Russian and Soviet artists employed collage and the related techniques of film montage and photomontage. Drawn from the permanent collections of the Mead Art Museum and Amherst Center for Russian Culture, the exhibition features works by Liubov’ Popova, Aleksandr Rodchenko, Varvara Stepanova, El Lissitzky, Sergei Eisenstein, Oscar Rabin, Oleg Kudryashov and Alexander Kosolapov, among others.
This exhibition is presented in conjunction with Constructing Collage, on view at the Mead Art Museum from March 5, 2019, to Jan. 5, 2020, and curated by Galina Mardilovich.