"Not of Glass, But of Paper: When Texts Become Lenses (And Why This Matters)" presented by Sanam Nader-Esfahani.
The Faculty Colloquium Series for 2019-20 presents a lecture titled "Not of Glass, But of Paper: When Texts Become Lenses (And Why This Matters)" presented by Sanam Nader-Esfahani, assistant professor of French.
The sixteenth and seventeenth centuries mark a pivotal moment in the history of visual theories and technologies. From enhancements in the understanding and craftsmanship of lenses to new conclusions about the location and form of the image inside the eye, from progress in ophthalmology to telescopic discoveries, these developments raised questions about the nature of vision, exposed the vulnerability and limitations of “the most noble sense”, and created a rivalry between the natural organ of sight and the artificial instrument.
This talk analyzes works from the French and Italian traditions in the early modern period in light of the conversations that animated their contemporary scientific debates. Why might an author privilege the lens as a means of representation, be it through an explicit use of the metaphor or more implicitly in the text’s formal components? What does it mean for a text to behave as a lens, and what are the implications of its lenticular nature for the dynamic between vision, knowledge and power?
Faculty Colloquium events are sponsored by a group of faculty colleagues who meet informally with the purpose of supporting and promoting the College’s commitment to faculty research. Colleagues interested in joining this endeavor are welcome and should contact us by email: firstname.lastname@example.org . Faculty, staff, and members of the administration are cordially invited to attend these presentations.
Do Things to Images presents for the first time a selection of photographs from 2014 to 2019 by the artist Odette England. It includes images from her newest series Love Notes.
England’s parents’ former dairy farm, and the archive of snapshots her family made there, serve as raw material for England’s practice. Many of her photographs are unique pieces. By mixing preciousness with low-fi, unrepeatable processes, England highlights the infidelity of memory.
This exhibition includes prints from negatives that England buried and then dug up, and hand-torn paper prints. It features pages ripped from family photo albums, and vintage snapshots that have been hole-punched, among other works. Her need to cut, crop, sand, fold and otherwise manipulate photographs is in contrast to the French meaning of her name, Odette, “Lover of Home.”
Join Odette England for a lecture and the opening of her exhibition on Thursday, Sept. 19, at 4:30 p.m. in Pruyne Lecture Hall, 115 Fayerweather.