With Kristina Kleutghen, Washington University in St. Louis
When European optical devices were first introduced into early modern East Asia, these devices affected not only viewing experiences and ideas about vision, but also the production of art. In contrast to the well-established effects on Japanese art, the Chinese case has barely been explored, not the least reason being that the science of optics did not develop significantly there prior to the mid-19th century. Yet from the 17th century onward, Qing domestic production and use of optical devices resulted in significant relationships with art at the imperial, elite and popular levels. The devices and the viewing experiences that they mediated created varying levels of foreign intervention into Chinese art, vision and visuality. However, the consistent but diverse methods of Sinification of all these elements and the reliance on domestic products rather than imports offer new insights into how Qing art engaged the West without being limited either to the court or to the capital. Through an art-historical case study of several different optical devices and their related works of art that are all linked through one particular type of magnifying lens, this talk examines how the production and consumption of these new objects and images varied with place, format, audience and social status.
This talk is free and open to the public. All are welcome to attend.
Robert Tsai, Professor of Law at American University Washington College of Law, will present a paper titled “Processes of Infamy.” This is the second presentation in a series of seminars that will take place this year on the theme “Law’s Infamy.”
Robert Tsai’s primary research interests include constitutional law, legal history, democratic theory, and criminal procedure. He pens essays on law, politics and culture for a broad audience, and his writings have been published by Politico, The Boston Globe, The Washington Post, and The Los Angeles Review of Books. Professor Tsai’s third book published by W.W. Norton in February 2019, Practical Equality: Forgiving Justice in a Divided Nation, explores why we have such a difficult time doing the work of equality and recommends pragmatic second-best solutions to break and ideological gridlock.
To receive a copy of the paper being presented which will investigate the socio-legal dynamics by which losers to a legal contest seek to castigate and de-legitimate the outcome of a controversial matter, please email the LJST Department Assistant Coordinator at email@example.com.
Daniel C. Dennett, co-director of the Center for Cognitive Studies and Austin B. Fletcher Professor of Philosophy at Tufts University, will present the 14th Annual Amherst Lecture in Philosophy. The title of his lecture is “Autonomy, Consciousness and Freedom.” A reception will follow. All lectures are free and open to the public.
For further information, please contact Dee Brace at (413) 542-5805 or send email to firstname.lastname@example.org.
Saxophonist and flutist Paul Lieberman continues the Jazz@Schwemm’s series as he leads a group to perform music influenced by Brazilian jazz. His prowess on the flute will be especially rewarding! Joining for the Student Combo portion of the event will be combos Ptolemy and Galilei.