Search the internet for “What is flash fiction?” and you will encounter several names for this genre—microfiction, short-shorts, dribble, drabble, mini-sagas, nanofiction—and a variety of word-length recommendations, running anywhere from the six words sometimes attributed to Hemingway (“For sale: baby shoes, never worn”) to 1,500 words. Like the novel or the short story, flash fiction has both plot and character development, but it is not merely a shorter version of the former two. As the name suggests, flash fiction has an aspect of lightning to it, ending in illumination and perhaps even revelation. The flash can explode in thunder, but it often fizzles out and leaves an unidentifiable, tingling smell in the air. Consider “Sticks” by George Saunders, Sejal Shah’s “Curriculum” or Megan Giddings’ “Lower Your Muzzle.”