The Papacy and the Art of Reform in Sixteenth-Century Rome: Gregory XIII and the Tower of the Winds in the Vatican (New York: Cambridge University Press, 2003).
“From Gregory XIII to Louis XIV: The Art and Politics of Reform in France,” in Memoirs of the American Academy in Rome, ed. Vernon Hyde Minor, 54 (2009): 3-30.
“A New Place for Queens in Early Modern France,” in The Politics of Space: European Courts ca. 1500-1750, ed. Marcello Fantoni, George Gorse, and Malcolm Smuts (Rome: Bulzoni, 2009), Chapter X: 267-292.
“The King’s Sculptures in the Queen’s Garden at Fontainebleau,” in Medieval, Renaissance and Baroque: A Cat’s Cradle for Marilyn Aronberg Lavin, ed. David A. Levine and Jack W. Freiberg (New York: Italica Press, 2010): 129-148.
"A Garden and a Gallery at Fontainebleau: Imagery of Rule for Medici Queens," for The Court Historian 10.1 (2005): 55-84.
"Imitation, Innovation, and Renovation in the Counter Reformation: Landscapes all'antica in the Vatican Tower of the Winds," in Antiquity and its Interpreters, ed. Alina Payne, Ann Kuttner, and Rebekah Smick (Cambridge, 2000): 126-142.
"Origins and Meanings of Rembrandt's Late Drawing Style," Art Bulletin, 78 (September 1996): 485-510.
"Wolfgang Stechow and the Art of Iconography" with David A. Levine, and "Appendix: Table of Contents and Addenda for Stechow's Gesammelte Aufsätze," ed. with David A. Levine, Allen Memorial Art Museum Bulletin (Oberlin College), LI and LII (1998): pp. 5-13, 67-78.
Journal of the Society of Architectural Historians