Amherst College’s Mead Art Museum Launches Project to Conserve Rare Tibetan Art Pieces

January 8, 2010                                 

AMHERST, Mass.—The Mead Art Museum at Amherst College has embarked on an ambitious project to conserve six Tibetan tangkas, or cloth paintings of Buddhist deities mounted on silk scrolls.

Amherst College’s Mead Art Museum Launches New Episodes of Museum Audio Tours

February 18, 2009     
Contact: Karen Cardinal
Accounting, Web and Marketing Manager, Mead Art Museum
413/542-2551


AMHERST, Mass.— Amherst College’s Mead Art Museum has launched a series of new episodes of its Museum Audio Tours podcast. Recorded by students in the museum’s volunteer docent program, the episodes explore works of art that are currently on display.

Encounter the Dynamic Spirit of Russian Modernism

March 26, 2015
By Rachel Rogol

Russian Center Art Gallery
Some of the most influential Russian avant-garde artists of the early 20th century—Kandinsky, Rodchenko and Gabo, to name a few—are celebrated in a new exhibition at the Amherst Center for Russian Culture.

On view through June 26, КИНЕТИЧЕСКИЕ РИТМЫ: The Dynamic Spirit of Russian Modernism brings together works from the Mead Art Museum’s Thomas P. Whitney ’37 Collection of Russian Art and exemplifies the ways in which artists were able to break free from the prevalent realistic canon in the first three decades of the 20th century.

The Next Generation of Art Historians: Amherst Students Honored at Symposia

March 31, 2015
By Madeline Ruoff '18

Law, Morales, Johnson
Maggie Law '15, Pablo Sebastián Morales '16 and Rachel Johnson '15

Three emerging art historians at Amherst College have been recognized for their research. Maggie Law '15, Pablo Sebastián Morales '16 and Rachel Johnson '15 gave presentations on 17th-century European art at "Baroque Brilliance," a student symposia held at the Bruce Museum in Greenwich, Conn., and moderated by art history scholars from Manhattanville College and Columbia University. According to the museum's press release, Law, Morales and Johnson were three of only eight student speakers from prestigious art history programs around the country selected to present. 

The three Amherst students began their research long before the symposia, in Professor Nicola Courtright's Fall 2013 course "Baroque Art in Italy, France, Spain and the Spanish Netherlands." The students tailored their final papers from that class to fit the symposia's guidelines.

15 Things to Do at Amherst in 2015

By William Harvey ’18

amherst-14b_400x267.jpg

The Amherst campus from above (© 2015 AboveSummit)

This year, make it your goal to do the unexpected and break the habits of your everyday life. Whether you’re visiting Amherst for the first time or hoping to find something new on campus, here are 15 things you should do in 2015 at Amherst.

Making Discoveries at the Mead

Submitted on Tuesday, 9/16/2014, at 11:30 AM

A new school year means new works, new classes and new discoveries being made at Amherst College’s Mead Art Museum, starting with an exhibition that simultaneously occupies the gallery space and cyberspace.

The Mead's Mummy Mystery

Submitted on Wednesday, 10/30/2013, at 10:15 AM

by William Sweet

The Mead’s mummy is missing.

Truth be told, the 2,600-year-old mummy case has likely been empty for the entire half-century that it’s been with the Mead Art Museum. But records show that it once contained a preserved human body. This leaves museum staff with a mystery worth unraveling even as they prepare an ancient artifact for exhibit.

As with any good mystery, the more one learns about the Mead’s mummy case, the more questions arise.

Permanent Adoptions

By Emily Gold Boutilier

When the Mead Art Museum chooses to acquire a new work of art, it takes the long view. “We look at a 500-year window,” says Director Elizabeth E. Barker. “We’ll have it forever. It’s like a permanent adoption.”

Given the serious commitment involved, curators at the Mead take no acquisition lightly. They consider quality, condition and importance, as well as how a particular work relates to the other items in the museum, Barker says.

Reinventing Tokyo: Ambitious Exhibition at Amherst’s Mead Art Museum Chronicles Tokyo’s Many Transformations

Submitted on Tuesday, 10/9/2012, at 5:04 PM

October 4, 2012

By Peter Rooney

Tokyo_400
Night in Shinjuku (Shinjuku yakei), from the series Fifteen Scenes of Last Tokyo in Original Woodcut (Tokyo kaiko zue), by Maekawa Senpan (1888–1960), is one of the images featured in the Mead Art Museum's exhibition Reinventing Tokyo: Japan’s Largest City in the Artistic Imagination.

AMHERST, Mass.—Reinventing Tokyo: Japan’s Largest City in the Artistic Imagination, on view through December, is the most ambitious exhibition in the history of Amherst College’s Mead Art Museum. It is the first exhibition in the United States, and perhaps the Western Hemisphere, to artistically examine Tokyo and its various transformations—by fire in the 19th century, the catastrophic earthquake of 1923, the firebombing in World War II and modern industrialization and development—over the past 145 years.

Pages