Original Play by Professor Wendy Woodson Connects Imagery, Memory and More
October 13, 2015 By Rachel Rogol
Ecology. Resistance fighters. A case study by Sigmund Freud. These are the underlying themes of Dora, an original performance about two people who meet and lose one another repeatedly against continually shifting landscapes of history and memory.
Written and performed by Wendy Woodson, Amherst's Roger C. Holden 1919 Professor of Theater and Dance, Dora simultaneously explores the relationship between its two characters and the many possible connections between images and human memory. "Dora is not a naturalistic or realistic play," Woodson says, "but rather a series of encounters."
Wendy Woodson Creates Video Installation for Australia’s Immigration Museum
Submitted on Friday, 1/6/2012, at 2:43 PM
Wendy Woodson, the Roger C. Holden 1919 Professor of Theater and Dance—in collaboration with designer Kathy Couch ’95 and sound designer Myles Mumford—has created a video installation titled Belonging: Reflections on Place, which will run in the Immigration Museum in Melbourne, Australia, until Jan. 22, 2012. The installation incorporates ambient music and street sounds, projected footage of movement and travel, and video interviews in which dozens of people from around the world reflect on their experiences as immigrants and refugees to Australia.
The question of how I situate myself in the beginning of this course could be answered by imagining two very distinct strands of interests in my life that have come full circle around me in the past year. My earliest and clearest memories are of people, music and what could be called “nature”. In effect, from a very young age I have been steeped in the material that gives form to the culture/nature paradox in anthropology. Although I do not currently play any instruments, I have been listening and engaging with music in many ways throughout my whole life.