By Emily Gold Boutilier
When the Mead Art Museum chooses to acquire a new work of art, it takes the long view. “We look at a 500-year window,” says Director Elizabeth E. Barker. “We’ll have it forever. It’s like a permanent adoption.”
Given the serious commitment involved, curators at the Mead take no acquisition lightly. They consider quality, condition and importance, as well as how a particular work relates to the other items in the museum, Barker says.